Macaulay Culkin, the 42-year-old Home Alonestar, and his fiancée, actress Brenda Song, 34, recently welcomed their second child, a boy named Carson, born around Christmas. The couple, known for their private life, kept the pregnancy under wraps, announcing it after a few months.
Parents of two boys
Culkin and Song are now proud parents to two boys. Their firstborn, Dakota, arrived in April 2021, named in memory of Culkin’s late sister, who passed away in 2008. The couple shared the news of Dakota’s birth after a period of privacy, expressing their joy in a brief statement, “We’re overjoyed.”
They are devoted to parenthood
The 2 actors have been romantically linked since 2017, and they got engaged at the beginning of 2022, just a few months after Dakota’s birth.
Song described her relationship with Culkin as “unbelievable” because of how good it is to spend her life with him. “Culkin told me, ‘I was waiting for the other shoe to drop.” After a while, he realized, “No—sometimes it’s just good.’” Song recalled.
Engaged in 2022, just months after Dakota’s birth, Culkin and Song are devoted to hands-on parenting. They prefer family support over a nanny, with Brenda’s mom assisting them since the birth of their first son. Brenda shared that her mom would even bring the baby to set for breastfeeding during work hours.
They have a solid couple dynamics
Emphasizing the importance of communication, Brenda highlighted the challenges of the early months of parenting. She stressed the significance of being communicative and flexible instead of having set duties, demonstrating the couple’s strong bond and teamwork.
She shared, “I think when you and your partner have kids, especially the first few months, you don’t have the patience to be polite with each other.” She added, ’’Being communicative when you need help is so important. Instead of having set duties, we just feel each other out.’’
Culkin’s life before Song
Following his split from Kunis, it appeared that Culkin had resigned himself to a loveless fate. However, in 2017, a serendipitous encounter changed the narrative. Brenda Song entered his life while filming Changeland, a meeting that caught even the film’s director, Seth Green, off guard. Green later confessed that he “didn’t see [their relationship] coming.”
Brenda and Macaulay connected swiftly, facilitated by their shared background as child stars. The unique bond formed over the challenges of growing up in the spotlight was a significant factor in their quick rapport. Song described the unspoken understanding between child actors, saying, “Child actors, we don’t even get to talk about it, you just look each other in the eye, and you nod, and we know.”
In this unexpected turn of events, love returned to Culkin’s life, and the couple’s connection blossomed against all expectations. We also appreciate Culkin and Song’s authentic and straightforward approach to parenthood. You may also want to read how Blake Lively saved Ryan Reynolds after facing his divorce.
Preview photo credit culkamania / Instagram, LP/Coleman Rayner/East News
Vertigo Star Kim Novak Is Spending Her 91st Birthday with ‘Friends and Lots of Fudge’ (Exclusive)
Tuesday marks the 91st birthday for Kim Novak, the star of Alfred Hitchcock’s 1958 film Vertigo, who walked away from Hollywood over five decades ago.
“She’s spending her birthday having a picnic on her property with friends and lots of fudge,” says her longtime manager and close friend Sue Cameron.
Life is sweet these days for Novak, who lives quietly on the Oregon coast, surrounded by her beloved horses.
In honor of her 91st birthday, read on for an interview from 2021 in which Novak shared why she left Hollywood and found her true self.
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Over 50 years ago, Kim Novak, the enigmatic star of Alfred Hitchcock’s Vertigo, walked away from Hollywood. The woman who had once been the No. 1 box office draw in the world put her belongings in a van and drove north, first to Carmel, California and then two decades later to Oregon, to live her life as an artist.
“I had to leave to survive,” she tells PEOPLE. “It was a survival issue.”
“I lost a sense of who I truly was and what I stood for,” says Novak in a rare interview to talk about her new book, Kim Novak : Her Art and Life. published by the Butler Museum of American Art.
“I fought all the time back in Hollywood to keep my identity so you do whatever you have to do to hold on to who you are and what you stand for,” she explains.
“I’ve never done one of those tell-all books that they wanted me to do for so long, and I thought this is the kind of book I’d like to do,” she says of her art book. “Actually, I had written my autobiography and it was almost complete but I had a house fire and the house burned down and I made no copies. I just couldn’t go through it again because I had spent so much time. But it was okay because it was a catharsis just to do it.”
After starring in Picnic (1955) with William Holden, The Man With the Golden Arm (1955) and Pal Joey (1957), opposite Frank Sinatra, and Vertigo, with Jimmy Stewart, Novak was at the height of her career but still under the control of the studio.
As she writes in her book’s introduction, “I was both dazzled and disturbed to see me being packaged as a Hollywood sex symbol. However, I did win my fight over identity. I wouldn’t allow [Columbia Pictures chief] Harry Cohn to take my bohemian roots away by denying me my family name. Novak. I stood my ground and won my first major battle.”
Cohn wanted her to change her name to Kit Marlowe, telling her that audiences would be turned off by her Eastern European roots. She refused. In the late ’50s, she defied him again when she began dating singer Sammy Davis Jr. against his wishes and she fought to live her life as an independent woman.
“There was constant pressure to be seen and not heard,” writes Novak, “especially if you had a pretty face.”
“In Hollywood a lot of people assume who you are, because of the character you play, but also just because of who they expect you to be, how they expect you to dress,” she says. “It influences you because if you’re in some gorgeous sequined gown, you can’t run along the ocean and run on the beaches.”
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“I kept feeling like I was going deeper and deeper, lost in almost like a quicksand, where it’s swallowing you up, your own personality, and I’d started to wonder who I am,” she explains. “I realized needed to save myself.”
She found peace living and painting in the Rogue River Valley of Oregon and notes, “I needed the Pacific Ocean to inspire me, the animals, the beauty.”
“I wanted to live a normal life and a life with animals,” says the actress, who had always loved drawing and painting as a young girl growing up in Chicago. She was awarded two scholarships to the Chicago Art Institute before she was spotted by a talent scout on a trip to L.A. and her life changed course.
Once she left Hollywood, Novak returned to her twin passions: art and animals. “My teachers were the animals, not just dogs and cats, but other animals, horses and llamas, whom you have to meet half way, because they’re not ready to accept humans. I had to learn to win them over,” she says. “They understand a person who’s genuine so I had to become more real and that made me rely on my inner self — and that also encouraged me to paint. Everything seemed to flow from that.”
“You learn how to count on, not how you look, which is a big thing as a movie star, especially if you were recognized because of how you look,” she adds. “That can be a difficult thing when you change — but looks had nothing to do with it.”
She met second husband, Robert Malloy, an equine veterinarian, in the late ’70s, when he paid her a house call to treat one of her Arabian horses. She called him her “soul mate.” He died last December.
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“I don’t feel 87,” says Novak. “I don’t keep tract of the time. If I did, I’d be an old lady and I’m not an old lady. I’m still riding my horse. I stay as healthy as I can.”
In 2012, Novak revealed she’d been living with bipolar disorder. “I don’t mind being open about who I am because these are all characteristics which make you who you are, especially as an artist,” she says. “Now, of course, I have medication for it but the best medicine of all is art.”
She’s proud of her favorite films, including Vertigo and Bell, Book and Candle (1958), and has fond memories, especially of her friend and costar Jimmy Stewart. Says Novak: “He didn’t let Hollywood change who he was.”
“People can remember me in movies but I want them to see me as an artist,” says Novak, whose paintings were exhibited at a 2019 retrospective at the Butler Museum in Youngstown, Ohio. “What’s great about painting is, you become the director too. No one’s telling you how to do it. You get to direct the whole thing.”
“I’ve been influenced a lot by Hitchcock in my work because he did mysteries and at first glance, I want my painting to be a mystery,” she says. “I love being the director, the producer, the actor in my paintings.”
“This is who I am. I want people to see I was not just a movie star.”
Looking back, Novak says, “I’m so glad I didn’t do the tell-all book, where you write all about your love life. That wasn’t who I was. This book tells who I am. I just needed to be free.”
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