Rachel, a new young mom from Tennessee, gave birth to a lovely baby boy on February 17.
Working as a cashier at the Celina 52 Truck Stop, the place posted on their Facebook congratulating on the new addition to the family. They shared a post along with a photo of the happy family with the caption, “Congratulations to our cashier Rachel and her fiancé Paul Buckman on their baby Cash Jamal Buckman being [born] on Saturday at 6:18pm.”
What caught the attention of many was that both Rachel and Paul are white while their baby is black.
As expected, people started posting mean comments under the post, accusing Rachel of cheating.
The store then added another post offering an explanation.
“Yes, Paul is the father. Rachel has African American DNA in her which can skip generations and cause a child to be born with darker skin,” they wrote.
Further, they stated that there might be possibility of jaundice, and ended their post with, “Please be kind.”
However, this didn’t put a stop on the jokes people continued making on the expense of the couple.
“Congratulations!!! I AM sure he looks just like his dad. Where is he?” one person commented.
“Definitely needs a DNA test; what if they accidentally mixed up the kiddos in the nursery?” another added.
“I feel sorry for Paul, being duped like this is a whole new level of creep. Hopefully he’ll wise up,” a third wrote.
Looking at the comments, Rachel decided to share a post that included her her own ancestry test results. She wrote, “For the haters saying that I [don’t] have black DNA maybe this will clear it up straight from my ancestry DNA results !!!! NOW STOP slandering mine and my [fiancé] Paul Buckman name. he IS the father of Lil Cash.”
Anita Ekberg: The Swedish Star Who Captivated Hollywood
Born on September 29, 1931, in Malmö, Sweden, Anita Ekberg grew up in a modest household as the sixth of eight children. Though her early years gave little hint of the international fame that awaited her, her striking beauty set her apart from an early age.
Her journey to stardom began in 1950 when she won the title of Miss Sweden. While she didn’t take home the Miss Universe crown, her participation in the pageant proved to be a turning point. The exposure brought her to Hollywood, where her captivating presence quickly caught the eye of industry insiders. This newfound recognition opened doors in modeling and acting, setting the stage for her entertainment career.
Breaking into Hollywood
Ekberg’s Hollywood debut came in the mid-1950s with supporting roles in films such as Blood Alley (1955), where she appeared alongside John Wayne and Lauren Bacall, and the comedy Artists and Models (1955), starring Dean Martin and Jerry Lewis. Her Nordic beauty and statuesque elegance earned her the nickname “The Iceberg,” reinforcing her image as a classic Hollywood bombshell. Popular media, including Playboy, frequently featured her, further cementing her status as a pop culture sensation.
La Dolce Vita and Global Stardom
However, it was her role in Federico Fellini’s La Dolce Vita (1960) that made her an international icon. Her portrayal of Sylvia, the enchanting yet elusive starlet, captured the essence of celebrity allure and mystery. The film’s most legendary moment—Ekberg wading through Rome’s Trevi Fountain in a flowing black gown—became one of the most enduring images in cinematic history.
Despite the worldwide recognition La Dolce Vita brought her, the role also led to typecasting, with many directors offering her parts that emphasized her glamorous persona. While this limited her opportunities for more diverse roles, Ekberg embraced the fame it afforded her, understanding the power of the image she had cultivated.
Life in Italy and Career Beyond Hollywood
Choosing to remain in Italy after her rise to stardom, Ekberg found greater creative freedom outside Hollywood’s constraints. She appeared in notable European films such as Boccaccio ’70 (1962), an anthology featuring works by Fellini and Vittorio De Sica, and 4 for Texas (1963), where she reunited with Dean Martin and Frank Sinatra. Though filmmakers often cast her in roles that leaned into her seductive image, she maintained a strong presence in European cinema, solidifying her legacy as a screen siren of her era.
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