The iconic anthem “Bohemian Rhapsody” finds its origins with the legendary band Queen, setting a high bar for performers worldwide due to its perceived difficulty.
At London’s bustling St. Pancras International Station, a scene unfolded as a teenage boy prepared to tackle the daunting task of performing this renowned Queen song on a public piano. Just as he readied himself, two adults intervened, unaware that the young musician was already poised to take on the challenge. With a shy smile, the boy began to play, setting the stage for an unforgettable performance.
This talented individual is Cole Lam, a 12-year-old pianist known for his virtuosity in playing both classical compositions and modern hits in bustling locales like St. Pancras. Beyond the piano, Cole showcases his musical prowess on various instruments, including the guitar and clarinet. Remarkably, despite his tender age, Cole’s repertoire extends to songwriting and composing, making him a prodigious talent poised for greatness.
As Cole embarked on his rendition of “Bohemian Rhapsody”, onlookers braced themselves, hopeful that the young artist would do justice to Queen’s masterpiece. Two men, perhaps skeptical of the boy’s ability to tackle such a monumental piece, approached him as he prepared to play. Little did they know, Cole was about to astound them and the entire crowd with his exceptional talent.
As Cole’s fingers danced across the piano keys, a transformation occurred. Immersed in his performance, he seemed to transcend the bustling station environment, channeling every ounce of emotion into each note. His passion and dedication were palpable, captivating all who were fortunate enough to witness his rendition of Queen’s classic.
Despite his youth, Cole’s commitment to his craft is unmistakable, serving as an inspiration to aspiring musicians everywhere. With each mesmerizing performance, he continues to hone his talents, poised to make a significant mark on the world of music.
Witnessing Cole’s extraordinary talent firsthand is an experience to be shared, a testament to the power of music to transcend age and captivate hearts. So, share his story and his performance with friends and family, and join in celebrating the remarkable journey of this young musical prodigy.
Australia’s adopted popstar son Leo Sayer reflects on his career
“I look at my role as being a friend of Canberra Hospital, I can bring some pleasure and happiness sometimes to people who are really in difficult times in their lives.”
With backing music from a Bluetooth speaker, Sayer croons his way around the cancer wards, making a human connection with everyone he comes across.
Canberra Region Cancer Centre Operations Manager Caroline McIntyre says Sayer’s visits are typically kept a surprise for patients and staff.
“He’s always come in so discreetly,” she says.
“Normally it’s just very quiet, he comes up in the back lift and says hello to literally everybody.
“Some of them are doing it tough, and to have a little bit of joy and light – it really gives them a lift.
“What makes me happy is to see people getting chemo on their feet dancing.”
Jamming with Jimi Hendrix, Countdown and the Troubadour
Originally a graphic designer by trade, English-born Leo Sayer rose to pop prominence in London in the late 1960s, as a singer-songwriter – and was soon adopted by Australia as an honorary son after his first tour here in 1974.
He went on to become an Australian citizen in 2009.
Sayer was a regular on ABC TV’s Countdown during the 70s and 80s, performing chart-toppers like “You Make Me Feel Like Dancing”, “When I Need You”, “More Than I Could Say” and “Orchard Road”.
He blushingly admits they were wild days – when he didn’t always live up to his “good-guy” public persona.
“It was mad, I mean, Top of the Pops in England, Countdown over here,” he says.
“You were mobbed by the fans, I remember being dragged out of a limousine the first tour that I came here, and then speaking to crazy people like Molly Meldrum on TV and trying to sort of like take it all in.”
It seems hard to believe – the petite, well-spoken singer, with a mane of curly hair that inspired changing his name from Gerard to Leo – beating off mobs of screaming fangirls.
Sayer circulated in superstar company, becoming close friends with former Beatles George Harrison and Paul McCartney, collaborating with Roger Daltrey of The Who, and even sharing a sly cigarette or two with John Lennon and Yoko Ono who had a flat above his design studio.
“I met Jimi Hendrix right at the start of his career. I actually jammed with him, playing the harmonica, and him playing the guitar,” he says.
Recalling his 1975 opening night at the famous Troubadour Club in Los Angeles, he looked up to see an intimidating line-up of fans in the front row.
“It was David Bowie, Elton John, and ‘The Fonz’ [Henry Winkler].”
Alongside them: John Cleese, Mick Jagger, Bernie Taupin, and comedian Marty Feldman.
“We never thought it would last, we were adapting to things around us, writing songs about things that are around us,” he says.
“And we thought they were only for our generation — so the amazing thing is my music’s become like a fine wine, where you lay it down and years later, it becomes a collector’s item.
“We’re in an age where the music that I make, young kids are actually latching onto it now, and they’re finding that that generation and that style of music we made is as current now as anything.”
Sayer’s health battles, still spreading hope at 76
Leo Sayer says his hospital charity work caps off a career dedicated to providing joy through music.
“It’s a nice piece of synchronicity really, because I was born in the grounds of a hospital in Shoreham by Sea in Sussex, near Brighton in England,” Mr Sayer said.
“I suppose I’ve always felt comfortable in hospitals and being around hospitals.
“Growing up, my dad was a hospital engineer, Mum was a nurse, my sister was a matron.”
Sayer has health struggles of his own, including three stents in his heart, which help him have a genuine connection to the hospital patients he entertains.
“[My music] is providing something that isn’t taking away from any of the treatment that’s going on. It’s providing something that’s just putting a smile on peoples’ faces.
“Music is communication and that’s what this is all about, we’re communicating, we’re making people feel better.
“We’re not healing people with music, but we are making them feel better about their healing.
“To sell out Canberra Hospital will do me fine.”
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