Bill Hayes, a pivotal figure of day-time television passed away at the age of 98.
Hayes was probably best known for his portrayal of Doug Williams on Days of Our Lives since 1970, appearing in over 2,100 episodes of the show. The role of the former con artist-turned-lounge singer became one of the longest-running characters in the show’s history.
Hayes was born in Harvey, Illinois, in 1925. Before becoming an actor, he started a career of a musician and a performer, reaching a Billboard chart-topping hit with The Ballad of Davy Crockett in 1955.
In 1953, Hayes had his Broadway debut in Me and Juliet and over the course of a decade he appeared in a number of productions.
By 1970, Hayes, a divorced father of five, was hoping to land a role closer to home when he joined the cast of Days of Our Lives, a decision that would define his career and endear him to millions of viewers.
It was on set that he met the great love of his life, actress Susan Seaforth, who played Julie Williams. Their on-screen chemistry translated into real life and the two tied the knot in 1974. They stayed together until Hayes’ passing.
Speaking of the instant connection they felt when they laid eyes on each other, Seaforth once said, “I’d seen enough to know that he was special.” Others could also see their unexplained connection. “We had a scene together shortly after meeting, and the head writer saw something going on between the two of us, just two people looking at each other, and he threw out the other plot lines he had for our characters,” she added.
Hayes and Seaforth Hayes were both honored with Lifetime Achievement Awards at the 2018 Daytime Emmys for their enduring contributions to television. The couple’s acceptance speech was heartfelt, with Bill expressing gratitude for the fans who considered them part of their own lives.
Honoring Hayes, a representative for the Peacock series told The Times in a statement, “It is with a heavy heart that we share the passing of our beloved Bill Hayes. One of the longest running characters on ‘Days of our Lives,’ Bill originated the role of Doug Williams in 1970 and portrayed him continuously throughout his life. He and his wife, Susan Seaforth Hayes, remained the foundation of the Williams-Horton family spanning more than 50 years.”
“I have known Bill for most of my life and he embodied the heart and soul of ‘Days of Our Lives,’” executive producer Ken Corday said in a statement. “Although we are grieving and will miss him, Bill’s indelible legacy will live on in our hearts and the stories we tell, both on and off the screen.”
In addition to his iconic role on Days of Our Lives, Bill Hayes had other notable television appearances, including roles in Matlock and Frasier. During the 1950s and 60s, he featured in TV adaptations of popular musicals such as Kiss Me, Kate and Once Upon a Mattress. He also portrayed John Brooks in the 1958 TV movie Little Women.
The cause of Hayes’ death hasn’t been disclosed with the public.
Rest in peace, legend.
Jim Caviezel Takes a Stand: Refuses to Work with Robert De Niro
Unexpectedly, Jim Caviezel, an actor, made news when he openly declared that he would never collaborate with Oscar winner Robert De Niro. Widely known for his performance as Jesus Christ in Mel Gibson’s “The Passion of the Christ,” Caviezel has called De Niro a “wretched, ungodly man.” This audacious claim has spurred a spirited discussion over the viability of personal convictions and business partnerships in Hollywood.
Devoted to Christianity and renowned for his unshakable adherence to moral values, Caviezel has been transparent about his religious beliefs. These ingrained convictions have informed his choice to keep his distance from Robert De Niro. Although Caviezel did not elaborate on their falling out, it is obvious that his decision is the result of a disagreement with his values. The actor feels that there is a difference between De Niro’s public persona and his previous actions, and he wants to work on projects that are consistent with his own moral principles.
This incident calls into question how performers manage their own convictions in the politically charged and cooperative world of Hollywood. While diversity of thought and expression has always been respected in the profession, there are increasingly more examples of actors setting boundaries based on personal principles. Caviezel’s reluctance to collaborate with De Niro is indicative of a shifting society in which people are more willing to stand by their values, even if doing so puts them in danger of losing their jobs.
The entertainment business has seen firsthand how an actor’s public remarks may help or hurt their career. Although Caviezel’s refusal to work with De Niro might win him over to supporters who share his values and respect his dedication to his convictions, it also raises questions about possible negative effects on his future partnerships and how business people view him. Some people would proceed cautiously with such public pronouncements, and it’s still unclear how this incident will affect Caviezel’s professional path.
One of the key characteristics of Caviezel’s public presence has been his strong Christian faith. He gained notoriety as an actor willing to take on parts that align with his spiritual beliefs because to his depiction of Jesus Christ in “The Passion of the Christ.” The argument with De Niro highlights the difficulties actors encounter in trying to uphold their morality in a field notorious for its complexity and moral ambiguities.
Beyond the specific performers engaged, consideration of the larger ramifications for Hollywood and the entertainment business at large is prompted by Caviezel’s refusal to collaborate with De Niro. The continuous conflict between individual convictions and the collective process of filmmaking is brought to light by this incident. There may be a change in the dynamics of the industry if more actors choose to use their platforms to voice their ideals and stand up for causes that are important to them.
The topic of how personal beliefs and professional obligations intersect in Hollywood has gained attention as a result of Jim Caviezel’s resolute refusal to work with Robert De Niro on moral reasons. The narrow line that separates personal ethics from the communal spirit that characterizes filmmaking is brought to light by this incident. The conflict between Caviezel and De Niro highlights the difficulties and complications experienced by performers who work hard to be true to their values as the entertainment business strives to negotiate these intricacies.
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