Anne Sargent sat alone on her kitchen floor, tears streaming down her cheeks in the silence of midnight. It was the only time she allowed herself to feel the weight of her sorrow, the pain of being abandoned by her husband, Derek, while carrying their fourth child. Her heart ached for her unborn baby and for the three children sleeping upstairs, dependent on her for everything.
Just two months ago, Anne had been blissfully happy, anticipating the arrival of her new baby. Derek’s abrupt departure shattered that happiness, leaving her to grapple with feelings of confusion and betrayal. He had walked in one night, his face twisted with anger, and declared he was leaving. “All you did was have babies and fuss over them!” he had yelled, as if the love she poured into their family had somehow suffocated him.
Now, with limited resources and mounting bills, Anne took on a part-time job at a local grocery store, determined to provide for her children. She began selling family heirlooms to make ends meet—first the antique china, then a cherished silver brush-and-mirror set. But soon, she found herself at the end of her options, facing the heartbreaking decision to sell the vintage stroller that had been passed down through generations.
With a heavy heart, she brought the stroller to the flea market, hoping to get a few dollars for it. When a dealer offered her $50, it felt like a lifeline, albeit a small one. Little did she know, this would not be the end of the stroller’s story.
Two days later, Anne was surprised to find the stroller returned to her porch, along with an envelope containing a message from Grace, a woman who claimed to know Derek. When they met, the truth spilled out—Grace had been Derek’s girlfriend, unaware of Anne and the children. She had bought the stroller in excitement, wanting to celebrate their future family together. But when Derek learned the truth, he erupted in anger, ultimately sending Grace away.
Anne felt a mix of compassion and sorrow for Grace, who was now homeless and pregnant herself. Without hesitation, Anne offered her a place to stay, recognizing that they both needed each other. Grace’s experience with children and Anne’s need for support created an unexpected partnership.
Together, they formed a new family dynamic, sharing responsibilities and raising their children. Anne’s opportunity to manage the grocery store opened up when Grace stepped in to help with the kids after school, allowing Anne to work full-time.
As their friendship deepened, they celebrated each other’s pregnancies, supporting one another through the challenges of motherhood. When Anne’s baby was born, Grace was right there beside her, and vice versa.
Meanwhile, Derek, having struggled with his choices and relationships, eventually found his way back to Anne’s door. But when he saw the new life she had built with Grace and their children, he was met with a firm rejection. “Sorry, so not interested!” Anne declared, finally free from the shadow of his betrayal.
In this new chapter, Anne and Grace embraced their unconventional family, filled with laughter, love, and resilience. Together, they forged a path forward, proving that family can take many forms, and that support often comes from the most unexpected places.
Dеbrа Wingеr, whоsе реrfоrmаnсеs in thе 1980’s аrе еtсhеd in оur hеаrts, is stunning аt 67
In a timeless tale of romance, Naval Officer Zack Mayo swept factory worker Paula into his arms and carried her from her workplace, leaving fans everywhere wishing they were the beautiful Debra Winger.
The legendary scene in the romantic drama an Officer and a Gentleman–where Richard Gere played Officer Zack Mayo, the handsome hero in navy whites–became the benchmark of love stories for daydreaming fans.
Acting alongside Hollywood’s hottest men, Debra Winger was the envy of many.
Today, Winger, 67, is as beautiful as ever. In the past few years, Winger has posted photos herself on Instagram, first with brown hair and now to a natural wavy gray.
Winger’s first starring role was in the 1976 film Slumber Party ‘57, which led to a part on the hit TV series Wonder Woman (1979), where she played Drusilla, the younger sister to Lynda Carter’s Diana Prince/Wonder Woman. Winger was asked to appear more often but concerned she’d be typecast by that role, she declined.
There were no regrets for that decision, the early ‘80s would be prosperous for the rising star.
At the height of her young career, she received numerous nods from the Academy and Golden Globes for performances in three iconic movies of the 1980’s.
In 1980, she starred in Urban Cowboy, with John Travolta, who at the time was driving fans wild with his smooth dance moves in Saturday Night Fever (1977) and Grease (1988); as Paula in an Officer and a Gentleman (1982) and in Terms of Endearment (1983), where she played Emma, a dying young woman with an over-bearing mother, Aurora, played by Shirley MacLaine.
Despite her huge success, Winger, carving hours from her acting schedule, took a mini Hollywood hiatus, and more than four decades after her rise to stardom, speculation of why she left is still circulating.
Most of these rumours revolve around the feuds that Winger had with her co-stars.
Though fans couldn’t get enough of the handsome Gere, it’s been widely reported that Winger had enough of him on the set.
According to an excerpt published on ABC News from the book, “An Actor and a Gentleman,” by co-star, Louis Gossett Jr., who played Sgt. Emil Foley: “The onscreen chemistry between the two of them was terrific, but it was a different story once the camera was turned off. They couldn’t have stayed farther apart from each other.”
Gossett also claims that Winger didn’t think much of Gere’s acting and wrote that she once described Gere as “a brick wall.” And, the film’s director, Taylor Hackford, whom she also did not likе, she referred to as “animal.”
It wasn’t only people on that film that ruffled her feathers.
Winger, a free spirit in real life and in her role as Emma, also clashed with the prolific MacLaine, a glamourous, eccentric and seasoned veteran.
Their first meeting set the stage for their relationship.
“To see how my character would feel I was wearing all my leftover movie-star fur coats,” MacLaine said in an interview with People. “There was Debra dressed in combat boots and a miniskirt…I thought, ‘Oh my goodness.’”
People writes, “Indeed, the set became the source of Hollywood’s most relished rumors. Winger wanted top billing. One reportedly slugged the other.”
And then, the women were pitted against each other in the Oscars when they were both nominated for best actress.
MacLaine, taking the trophy home, said in her acceptance speech, “I deserve this!”
Rumors aside, Winger insists she “pushed the pause button” on Hollywood for personal reasons and not professional.
“The parts that were coming, I wasn’t interested in. I’d already done that or I’d already felt that. I needed to be challenged. My life challenged me more than the parts, so I dove into it fully,” Winger told People.
After starring in the 1995 romcom Forget Paris with Billy Crystal, Winger took a six-year break.
In that time, she moved to New York City and shifted her focus to actor Arliss Howard, whom she married in 1996. The pair have a son, Gideon Babe, who was born in 1997, and she is stepmother to Sam, Howard’s son from a previous marriage. She also has another biological child, Noah Hutton, whom she mothered while married to her first husband, Timothy Hutton (1986 to 1990).
She reappeared in the 2001 film Big Bad Love, that was directed and produced by her husband, who also co-starred alongside Winger and Rosanna Arquette, who’s next project was 2002 film Searching for Debra Winger. As director of the documentary, Arquette attempts to answer why Winger temporarily аbаndоned her career at peak performance.
Winger gained some momentum with roles in Rachel Getting Married (2008) with Anne Hathaway, the 2017 romcom The Lovers, and the crime-comedy, Kajillionaire (2020).
In 2021, she was in With/In, Volume two of the anthological drama film, in the segment Her Own, which is written and directed by her husband, who also co-stars.
“I don’t know what Hollywood is. I’m living under the freaking sign now, and I just stare at it and laugh. Los Angeles is a place, but the idea of Hollywood doesn’t really exist for me,” Winger said, adding, “…although there must be some in-crowds that I just don’t know about.”
We can’t imagine a Hollywood without Debra Winger and we hope she soon gets to take home an Academy Award ! What are your favorite Winger movies?
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