Matthew Perry has reportedly died. The “Friends” actor was 54

Actor Matthew Perry, famously known for the role of Chandler Bing in the iconic show Friends, was found dead Saturday in a hot tub at his Los Angeles home, law enforcement has reported.

Spokesperson of the LA Fire Department reported that first responders arrived at Perry’s home at about 4 p.m. regarding a “water emergency” of an unknown type, but did not name the actor. Sadly, upon arrival, they discovered Perry’s unresponsive body. According to them, there were no drugs of any type at the scene. At the time being, no foul play is suspected.

A representative of the actor hasn’t issued any comments regarding the tragic incident.

The investigation over Perry’s passing is still ongoing and the cause of death remains unknown. It will be determined by the Los Angeles County coroner’s office at a later date.

“We are devastated by the passing of our dear friend Matthew Perry,” Warner Bros. Television Group, which produced “Friends,” said in a statement to The Times. “Matthew was an incredibly gifted actor and an indelible part of the Warner Bros. Television Group family. The impact of his comedic genius was felt around the world, and his legacy will live on in the hearts of so many. This is a heartbreaking day, and we send our love to his family, his loved ones, and all of his devoted fans.”

“We are incredibly saddened by the too soon passing of Matthew Perry,” NBC, which aired the series for all 10 seasons, said in its own statement to The Times. “He brought so much joy to hundreds of millions of people around the world with his pitch perfect comedic timing and wry wit. His legacy will live on through countless generations.”

Saturday evening yellow-and-black LAPD crime scene tape blocked off the entrance to Blue Sail Drive, a tony street just off the Pacific Coast Highway at the crest of a hill with sweeping views of the Pacific Ocean.

Shortly after 7 p.m., as multiple helicopters whirred overhead, Perry’s mother, Suzanne, and her husband, broadcaster Keith Morrison, joined the journalists and LAPD officers on the scene. Morrison declined to comment. An LAPD officer at the scene said he had no information and that he did not know when any would be forthcoming.

Peter, a neighbor of Perry’s on Bluesail Drive who declined to give his last name Saturday evening, said he only spoke to the actor once, for five minutes, and that he was “very pleasant” and a “nice guy.”

“It’s shocking,” Peter said as he waited for the LAPD, who had barred journalists from passing the police tape, to approve him for entry. “He’s been redoing this house forever and he seemed fine. It’s very sad.”

Leo, another neighbor who declined to give his full name, said he was home when an ambulance arrived at Perry’s house Saturday afternoon. He declined to say whether paramedics tried to revive Perry or if a body was removed from the premises.

“I was shocked,” he said. “It was very disturbing and sad after all these years.”

Perry was one of his favorite actors, Leo said, and the funniest member of the “Friends” cast.

“I encountered him once and he was very, very friendly. More so than I thought,” Leo said. “It’s definitely a tragedy, especially at such a young age,” he added. “I was very heartbroken to see what happened.”

Perry, the son of actor John Bennett Perry and Suzanne Marie Langford, onetime press secretary of Canadian Prime Minister Pierre Trudeau, was born in 1969 and grew up between Montreal and Los Angeles after his parents separated when Perry was 1.

He got his start as a child actor, landing guest spots on “Charles in Charge” and “Beverly Hills 90210” and playing opposite River Phoenix in the film “A Night in the Life of Jimmy Reardon” in the 1980s and early 1990s.

But his big break came when he was cast in “Friends” — originally titled “Friends Like Us” — a sitcom about six single New Yorkers navigating adulthood that premiered on NBC in 1994.

The series soon became a juggernaut, the anchor of the network’s vaunted Thursday-night “Must-See TV” lineup, and turned Perry and his castmates Jennifer Aniston, Courteney Cox, Lisa Kudrow, Matt LeBlanc and David Schwimmer into mega-stars almost overnight. At its high-water mark — for a 1996 Super Bowl episode and the 2004 series finale — the series could notch more than 50 million live viewers; by its end, cast members were earning more than $1 million an episode.

As Chandler Bing, the handsome, wisecracking roommate of LeBlanc’s Joey Tribbiani and, later, love interest of Cox’s fastidious Monica Geller, Perry distinguished himself in a crackling ensemble cast. With his dry delivery he created a catchphrase with a mere turn of inflection, based on banter he’d shared with childhood friends: Could he be any more Chandler?

Soon, he was attached to major stars like Julia Roberts and appearing in prominent films such as 1997 rom-com “Fools Rush In,” opposite Salma Hayek, and 2000 ensemble mob comedy “The Whole Nine Yards” with Bruce Willis.

There was a dark side to the life of one of television’s most beloved funnymen, however. In his 2022 memoir, “Friends, Lovers, and the Big Terrible Thing,” Perry recounted his lifelong struggle with addiction to alcohol and opioids. He wrote that he had his first drink at 14, but didn’t recognize the signs of alcoholism until 21. Since then, he estimated, he’d spent more than $7 million on efforts to get sober, including multiple stints in rehab. His substance abuse also led to a number of serious health issues, including a five-month hospitalization in 2018 following a colon rupture that left him, he wrote, with a 2% chance to live through the night.

And it was fueled, he acknowledged during a “Friends” reunion special in 2021, by the pressure to land the joke in front of a live studio audience night after night.

“Nobody wanted to be famous more than me,” Perry told The Times in April, discussing “Friends, Lovers, and the Big Terrible Thing” at the Festival of Books. “I was convinced it was the answer. I was 25, it was the second year of ‘Friends,’ and eight months into it, I realized the American dream is not making me happy, not filling the holes in my life. I couldn’t get enough attention. … Fame does not do what you think it’s going to do. It was all a trick.”

Perry was remembered on Saturday by friends and collaborators such as Selma Blair, Paget Brewster, Morgan Fairchild and Mira Sorvino as a singular comic talent and kind soul.

Perry’s “Friends” co-star Maggie Wheeler, who played his on-again, off-again girlfriend Janice on the hit show, shared a sweet tribute on Instagram.

“What a loss. The world will miss you Mathew Perry,” she wrote. “The joy you brought to so many in your too short lifetime will live on. I feel so very blessed by every creative moment we shared.”

He was also memorialized by Canadian Prime Minister Justin Trudeau, Pierre’s son and one of Perry’s childhood friends.

“Matthew Perry’s passing is shocking and saddening,” Trudeau wrote on X. “I’ll never forget the schoolyard games we used to play, and I know people around the world are never going to forget the joy he brought them. Thanks for all the laughs, Matthew. You were loved — and you will be missed.”

Though Perry estimated he had relapsed “60 or 70 times” since first getting sober in 2001, he maintained a steady presence on American television, playing key parts in backstage dramedy “Studio 60 on the Sunset Strip” and therapy sitcom “Go On,” and making a steady stream of guest appearances on acclaimed shows such as “The West Wing” and “The Good Wife.”

Since his near-death experience in 2018, Perry had found solace in friends, frequent games of pickleball and, especially, writing. Though producing “Friends, Lovers, and the Big Terrible Thing” had forced him to relive his darkest moments, it also connected him to “all the sufferers out there”: “I had a story to tell, a story that could really help people,” he wrote. “And helping others had become the answer for me.”

Indeed, for all his success as an actor and, more recently, as a bestselling memoirist, Perry told The Times in April that his work was not the center of what he hoped would be his legacy.

Pressed to name how he’d like to be remembered, he said: “As a guy who lived life, loved well, lived well and helped people. That running into me was a good thing, and not something bad.”

Living Across from a Cemetery, I Saw a Baby Left by One of the Graves on Halloween Night

Now, those days were long gone, but I still cherished the traditions. Each year, I decorated my house with cobwebs, pumpkins, and spooky lights, and waited for the neighborhood kids to come trick-or-treating. It brought a little light into my otherwise quiet life.

Just two years ago, I had walked the same streets with my daughter, holding her tiny hand as we went door to door. It feels like a distant dream now, a beautiful memory that slipped away too soon. Losing her shattered me, and it broke my marriage with John as well. We couldn’t find a way to heal, and we drifted apart under the weight of our grief.

That night, after handing out candy for hours, I realized my bowl was empty. With a sigh, I hung a “No More Treats” sign on the door. A familiar ache settled in my chest—the kind that never fully goes away.

My house stood directly across from a cemetery, a place that unnerved most people. It didn’t bother me. The rent was cheap, and I’d never been one to believe in ghosts. I made myself a cup of cocoa and sat by the window, half-expecting to see some teenagers playing pranks among the gravestones.

But what I saw instead made my heart skip a beat. Near one of the graves was what looked like a baby car seat. I blinked, thinking it was a trick of the light, but the shape didn’t waver.

I grabbed my coat and hurried outside, the chilly October air biting at my skin. The cemetery was eerily still as I walked closer to the grave, every step filled with dread. When I finally reached it, my breath caught in my throat. There, in the car seat, was a tiny baby, fast asleep.

“Oh my God,” I whispered, kneeling down to pick her up. She was so small, completely unaware of the cold night air around her. “How did you get here?” I asked softly, knowing there would be no answer. I held her close and rushed back to the house.

Once inside, I laid her gently on the couch and noticed a note taped to her car seat. With trembling hands, I unfolded it. The note read, “Amanda, one and a half years old.”

That was all. No phone number, no explanation. Just a name. I searched the car seat for more information, but there was nothing. I looked down at Amanda, who stirred slightly, and felt my heart twist. What was I going to do with her?

Without thinking, I called the police. They listened as I explained the situation, but when they told me there were no reports of a missing child, frustration bubbled inside me. Still, they asked me to bring her in.

At the station, Amanda sat quietly in her car seat, her wide eyes gazing up at me as though she already trusted me. When the officers said she’d be placed in the care of social services, a sudden surge of protectiveness washed over me.

“Can she stay with me, at least for now?” I asked, my voice steady though my heart raced.

After hours of paperwork and background checks, they agreed. Amanda was coming home with me.

The days that followed were a blur of bottles, diapers, and sleepless nights. It had been so long since I’d taken care of a little one, but it all came back to me piece by piece. Every morning, I bought her toys, read her stories, and watched as her giggles filled the quiet spaces of my house. She became the light I didn’t know I needed.

It wasn’t always easy—some nights, her cries were impossible to soothe. But even in those difficult moments, I found joy. Amanda had filled the void in my heart, a place that had been empty for so long. The more time we spent together, the more attached I became.

One morning, as I fed Amanda breakfast, there was a knock at the door. I opened it to find a police officer standing with an elderly woman by his side.

“Jessica,” the officer said gently. “This is Amanda’s grandmother, Carol. She’s here to take her back.”

My heart sank. Amanda had become so much a part of me that the thought of letting her go felt unbearable. But Carol was her family. I had no right to keep her.

Carol stepped forward, smiling warmly. “Hello, sweetie,” she said, reaching for Amanda. Every instinct in me screamed to hold on, but I slowly handed her over.

The moment Amanda left my arms, she started to cry. Her little hands reached for me, and it was like a dagger to my heart. Tears stung my eyes as I watched her go, but I knew I had no choice.

Before leaving, Carol handed me a basket and thanked me for taking care of Amanda. As soon as they were gone, I collapsed on the couch, tears flowing freely. It felt like I had lost my daughter all over again.

Later that night, I stared at the basket, too heartbroken to eat. Something nagged at me, though. I picked up the thank-you note Carol had left and read it again. The handwriting looked familiar.

My heart raced as I ran to my room and grabbed the note that had been left with Amanda’s car seat. Holding the two side by side, a chill ran down my spine. The handwriting was the same. Carol had abandoned Amanda at the cemetery.

Without hesitation, I grabbed my phone and dialed a number I hadn’t called in a long time.

“John, hi,” I said, my voice shaking.

“Jess?” he sounded surprised. “Is everything okay?”

“No,” I admitted, feeling the weight of the situation pressing down on me. “I need your help.”

“I’ll be right there,” he said, his voice firm.

John arrived in under twenty minutes. I told him everything—about Amanda, the cemetery, and Carol’s deception. He listened quietly, and when I finished, he asked the question I’d been dreading.

“What do you want to do?”

“I want to take her back,” I said, my voice strong with conviction. “Amanda belongs with me.”

John nodded, and from that moment, we worked together. It was a long battle—endless meetings with lawyers and tense confrontations with Carol—but we didn’t give up. Weeks later, we stood in court, ready to fight for Amanda’s future.

Carol broke down on the stand, admitting that she had left Amanda at the cemetery because she could no longer care for her. The court revoked her custody, and I was granted temporary guardianship—with the possibility of adoption.

As I walked out of the courthouse, Amanda resting peacefully in my arms, I couldn’t stop smiling. She was mine, and I would do everything in my power to keep her safe and loved.

John walked beside us, his expression calm but content. “You’re going to be an amazing mom to her,” he said softly.

I smiled at him, my heart full of gratitude. “Thank you, John. I couldn’t have done this without you.”

As we walked away from the courthouse, I felt a renewed sense of hope. Halloween had always been special to me, but now it meant something even greater—it brought Amanda into my life.

And perhaps, just maybe, it was bringing John back into it, too.