The gymnastics champion sprang to stardom at the 1984 Olympics, where she became the first American woman to win a gold medal in the all-around competition. Her family is raising money online, saying she lacks health insurance.
May Lou Retton at the 1984 Olympics, where she won five medals.
Mary Lou Retton, who became one of the most popular athletes in the country after winning the all-around women’s gymnastics competition at the 1984 Summer Olympics in Los Angeles, has pneumonia and is “fighting for her life” in the intensive care unit, her daughter said in a statement this week.
Retton’s daughter McKenna Lane Kelley said on Instagram that her mother “is not able to breathe on her own” and that she had been in the intensive care unit for more than a week.
Kelley asked for donations to help pay for her mother’s hospital bills, saying her mother lacked health insurance. By Wednesday, she had raised more than $260,000 online from more than 4,600 donors.
She did not share more specific information about her mother’s condition, though she said that her pneumonia was “a very rare form.” It was not clear what hospital Retton was in.
Kelley, who was a gymnast at Louisiana State University, did not immediately respond to a message seeking comment on Tuesday.
On Wednesday, another daughter, Shayla Kelley Schrepfer, released a video on Instagram thanking people for “all the love and support that you’ve given to my mom.”
“She’s still fighting,” Schrepfer said. “It’s going to be a day-by-day process, and we hope that you guys will respect her boundaries, as we want to keep the details between her and our family right now. She has been treated with the best of the best professionals here, and it has been such a blessing to have their hands on her.”
At the 1984 Olympics, Retton became the first American woman to win the all-around gold medal or any individual Olympic medal in gymnastics. Going into the final rotation of the competition, she was five-hundredths of a point behind Romania’s Ecaterina Szabo, and the only way she could beat Szabo was to score a perfect 10 on vault.
Retton scored a perfect 10.
She won five medals in Los Angeles, including two silvers, for team and vault, and two bronzes, for uneven bars and floor exercise.
Though there was an asterisk by Retton’s victory in the history books — the Soviet Union, which was the most dominant force in women’s gymnastics at the time, boycotted the 1984 Games — it nonetheless made her a sports hero in the United States. In addition to earning her the traditional trappings of Olympic gold, like appearing on a Wheaties box, she was widely viewed as an inspiration to a new generation of American girls entering gymnastics.
Even as the American gymnastics program grew and the country won more medals, including the team gold in 1996, Retton’s prominence remained: For 20 years, Retton, now 55, was the only American woman to win the all-around title, until Carly Patterson became the second in 2004.
Retton was born in Fairmont, W.Va., and got her start early, like many top gymnasts. By the time Retton was 7 years old, she was training in gymnastics full-time.
Retton’s talent had been apparent from the start, but a big break came at an Olympics elimination tournament in Reno, Nev., in 1982, where she impressed Bela Karolyi, who would go on to coach her in the 1984 Olympics.
“I immediately recognized the tremendous physical potential of this little kid,” Karolyi said in a March 1984 interview.
Retton appeared in a number of films and TV shows in the late 1980s and 1990s, including the comedy film “Scrooged.”
After her athletic career, Retton became a motivational speaker to promote the benefits of proper nutrition and regular exercise.
Think you know her? You might want to take a seat before discovering who she really is
Joan van Ark was born on June 16, 1943, in New York City, far from the world of entertainment. Her life took a significant turn during her teenage years while acting in Denver, where she met actress Julie Harris, who would greatly influence her career. Julie encouraged Joan to apply to the prestigious Yale Drama School and even helped her secure a scholarship, making Joan the second woman ever to enroll there.
Joan recalled: “Harris wrote to the dean and asked him to meet me. Long story short, my parents drove me to New Haven, Connecticut, where the dean awarded me a scholarship. It felt destined”. After honing her skills in theater, Joan shifted her focus to television, where she starred in shows like Temperature’s Rising, Spider-Woman, Days of Our Lives, and even made a guest appearance on Bonanza. However, it was her role as Valene Ewing on Dallas in 1978 that propelled her to stardom.
Her success on Dallas led to her starring in its spin-off, Knots Landing, which was actually developed before Dallas. Initially, Joan was set to join the Knots Landing cast, but she ended up reprising her role on Dallas first. It was her husband, newscaster John Marshall, who encouraged her to accept the role despite her busy schedule. When it was announced that Julie Harris would play Val’s mother, Joan was thrilled. “I couldn’t believe they had picked her to be my mother”, she recalled in a 1984 interview.
After 13 seasons and 327 episodes on Knots Landing, Joan left the show just before its final season. While many speculated that her departure contributed to the show’s cancellation, she was ready for new challenges. “I loved my time on that show”, she stated, expressing gratitude to the show’s creator, David Jacobs, and her co-star, Ted Shackelford, who she considered family.
Joan and John, who met in high school, have been happily married for over 58 years and share a daughter, Vanessa Marshall, who works in the entertainment industry. Now at 81, Joan has a net worth of $10 million and remains stunning. She was last spotted five years ago, casually paying for parking in workout attire.
Her most recent appearance was in the 2017 television film Psycho Wedding Crasher. After a remarkable 50-year career in entertainment, Joan van Ark is now a life member of The Actor’s Studio, solidifying her legacy as an icon.
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