The happy mother of River Rose, 8, and Remy, 6, Kelly Clarkson, spoke candidly about her thoughts on spanking as a form of child discipline in a radio interview. The topic of parenting styles has been increasingly controversial in recent times due to their diversity and growth.
Being a well-known figure in the entertainment industry, Clarkson recently received recognition for her work with a star on the prestigious Hollywood Walk of Fame. She hasn’t held back when discussing her choice to add slapping to her repertoire of parenting techniques.
She constantly offered evidence to back up her beliefs, pointing to her upbringing and cultural influences.
Support and skepticism have been generated by Clarkson’s statement that she is “not above spanking” her kids in a culture where parenting ideologies are as varied as they are fervent.
“I don’t mean striking her,” she clarified, clarifying that her goal is to employ physical punishment in a regulated way rather than to harm someone. She went on, “I just mean a little spanking.”
However, there are many who disagree with spanking. A reputable organization for child health, the American Academy of Pediatrics, has categorically stated that spanking is counterproductive and may even be detrimental to a child’s health.
Parents continue to choose the conventional method of punishment, despite the fact that the organization’s stance is supported by extensive research and professional consensus.
Kelly Clarkson’s upbringing in the culturally diverse and diversified state of Texas is the reason behind her support for spanking. “We get spankings because I’m from the South, y’all,” she said, highlighting the regional and cultural impacts on her views.
“My parents spanked me, I did fine in life, and I feel fine about it,” she said candidly about her upbringing. She feels that this tactic helped to develop her well-rounded personality and that it was effective in imparting values and character.
However, when examining and critiquing her parenting style, Clarkson recognizes the challenges of reprimanding her kids in public. “It’s challenging to do that in public because people might think it’s inappropriate,” she clarified.
She is adamant that spanking is a valid form of discipline, even in the face of potential criticism. She said, “I believe in spanking, so you might see me spanking my kid at the zoo.”
A warning component is incorporated into Clarkson’s approach to strike a balance between communication and discipline. “Hello, if you don’t stop right now, I’m going to spank you on your bottom,” I said. She said, “This is ridiculous,” emphasizing the significance of candid communication throughout the procedure.
She says that the frequency of undesirable behavior has decreased as a result of this strategy.
The debate surrounding Kelly Clarkson’s method of child discipline is a reflection of broader conversations around human autonomy and different parenting styles. While some could concur with her, others might advocate for different approaches that emphasize non-physical tactics.
Respecting parental choices while taking into account the development and well-being of their children is essential in a community that values candid communication and experience sharing.
Essentially, Kelly Clarkson’s candid admission of her views on spanking has led to a complex discussion that represents the diversity of contemporary parenting ideologies.
Our views on what makes for good parenting change along with society, and different points of view have a place in this lively dialogue to coexist and add to our collective parenting knowledge.
‘Little Miss Dynamite’ blew up the charts when she was only 12: The story of Brenda Lee
Brenda Lee’s name may not be as recognizable as some of the other music stars from the 1960s but when you think of Christmas, you’ll know her song, and start humming her catchy tune, “Rockin’ Around the Christmas Tree.”
When Lee, now 78, first hit the stage, she wasn’t old enough to drive but her powerful vocals steered her “unprecedented international popularity” as the most successful female artist of the 1960s.
Lee, whose voice defied her diminutive stature at only 4 foot 9, became a fan favorite when she was only 12.
Brenda May Tarpley, born in 1944, got her start in the late 1940s, became huge in the 1950s, and over her career–that started before she left elementary school–she topped the charts 55 times, earning the title as the most successful female recording artist of the 1960s.
When Lee was only eight (according to Rolling Stone), her father, a construction worker, was killed at work and little Brenda–who then changed her last name to Lee–became the family’s primary provider.
Taking care of her younger brother, big sister, and mother–a cotton mill worker–was not a duty, but something she wanted to do. She said that she was thrilled when she made her first $20, so she could help her family: “Even at that young age, I saw that helped our life,” Lee said, adding “It put some food on the table. It helped, and I loved it.”
The Atlanta-born chanteuse, called a “pioneer of early rock and roll,” by the Georgia Encyclopedia, achieved “unprecedented international popularity in the 1960s.”
But, an incredibly humble human, Lee credits those who helped her achieve her dreams. When Christianity Today asked what she thinks about being a legend, Lee said “I don’t think of myself that way!” She continued, “I’m just a girl who’s been blessed to be doing what I’m doing, and there’s a lot of people who’ve sweated a lot of tears and put a lot of life’s work into me to be able to have my dream. So, if I’m a legend, then they’re legends, too.”
In 1956, the young girl joined country star Red Foley for a show at the Bell Auditorium near her home in Augusta, and she belted out “Jambalaya,” by Hank Williams.
She was then signed to appear on Foley’s Ozark Jubilee, a country music show, where millions of viewers fell in love with the sassy 12-year-old whose talent was developed well beyond her age.
In the same year, Lee signed with Decca Records, and the next year, she moved to Nashville, Tennessee, and fusing country with rhythm and blues–highlighted by her hiccupping vocals–she recorded early rockabilly classics like “BIGELOW 6-200,” “Little Jonah,” and “Let’s Jump the Broomstick.”
When asked if–when as a young girl–she was nervous performing in front of large crowds, she answered: “No, not really. Nobody ever told me to be nervous. The stage always felt like a hometown to me because I had been in front of people ever since I was 3 years old, singing to people. So it was a very comfortable spot for me.”
In 1957, Lee earned the nickname “Little Miss Dynamite” for her pint-sized powerhouse recording of the song “Dynamite,” and in 1958, fans heard “Rockin’ around the Christmas Tree,” a genre and generation-crossing holiday standard, released when she was only 13.
“I knew it was magical,” she told Rolling Stone.
Over the next couple of years, she charted with hits like “Sweet Nuthin’s,” “All Alone Am I,” and “Fool #1.”
Most of her songs, however, contradicted her experience as a young girl. Her mother didn’t let her date and she graduated high school not understanding the heartbreak of young love.
She was only 16 when she said “Love could be so cruel” in the song “I’m Sorry” and only 16 when she said “I want his lips to kiss me” in the song “I Want to be Wanted,” both back-to-back hits when she was still in school.
And when she turned 18, she met Ronnie Shacklett, whom she’s now been happily married to for 60 years.
Life on the road for Lee as a youngster had its difficulties. She celebrated her 12th birthday in Las Vegas and speaking with the Las Vegas Journal, Lee explained her loneliness.
“Of course, I wasn’t even allowed to walk through a casino, I was so young. So I didn’t even know what a casino looked like. They took me into the kitchen, then into the showroom. And then when my show was over, I was brought back out through the kitchen and back up to my room. Children weren’t allowed … in the casino area.” She continued, “There wasn’t anything to do in Vegas for a kid. The most fun I had was on the stage.”
Speaking on what she missed out on as a child, the award-winning Lee said, “Many times, I yearned to be with my friends rather than be out there on the road.”
Turns out she made new friends on the road, like with the music group that opened for her at a 1962 show in Germany. “I hung out with John,” she says effortlessly, speaking of John Lennon. “He was extremely intelligent, very acerbic with his jokes, just a gentle person. When I found out that they later said they were fans of my music, I was just floored.”
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