It’s been years since *Three’s Company* was on TV, but the laughs it brought us are still fresh in our minds.
With its memorable characters and hilarious mix-ups, this classic show changed the world of sitcoms forever. Now, Joyce DeWitt shares what truly made *Three’s Company* a show we’ll never forget…
From the funny adventures of three single roommates to the unforgettable acting of John Ritter and Suzanne Somers, *Three’s Company* is still a favorite on American TV. It’s hard to believe that 40 years have passed since the final episode aired on ABC, yet the show’s charm and humor continue to entertain us.
To show just how long it’s been, I recently watched the intro. The scenes at Santa Monica Pier remind me of how much has changed since the show was filmed.
Sadly, both John Ritter and Suzanne Somers have passed away, leaving us far too soon. But Joyce DeWitt, now 75, keeps the spirit of *Three’s Company* alive by sharing her stories and memories of the beloved show.
“The most dear, precious, tender – and utterly unexpected – experiences that have come from working in *Three’s Company* are the many, many adults who have told me that *Three’s Company* was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told *US Weekly*.
Playing Janet Wood alongside John Ritter and Suzanne Somers, Joyce DeWitt became a TV star and brought joy to millions of viewers.
She appeared in 171 episodes of *Three’s Company* from 1976 to 1984.
“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told *The Spec*. “All we wanted to do was make people laugh. When I think about it, the show was really like a modern version of a 16th-century comedy. It was all about crazy fun. We talked about serious issues sometimes, but that was always in the background.”
“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “But in the end, it was about the deep friendship and love the characters had for each other. That’s what made people love them.”
After *Three’s Company* ended, Joyce DeWitt took a break from the spotlight for over ten years before returning to acting.
No matter what she has done or plans to do in the future, most people will always remember her for that iconic show. And according to DeWitt, there’s a simple reason for this.
“It was a ‘time out’ from the tough, stressful situations young people were dealing with in their lives,” DeWitt explains, adding:
“And, of course, they say the characters did silly, crazy things that made them laugh. But it was the love, trust, and support between the characters that made fans stay with the show for life.”
In unedited photos from the *Three’s Company* set, the close bond between the cast is clear, especially in the pictures of Joyce DeWitt and Suzanne Somers, who played the much-loved Chrissy Snow.
Both actresses gave memorable performances, portraying young women making their way in a male-dominated world. Their contributions were just as important to the show’s success as John Ritter’s, and in those early days, their smiles in the photos show a sense of friendship and teamwork.
But beneath the laughter, tensions were brewing. While Somers was praised for her role as “the dumbest blonde in America,” her push for equal pay led to growing conflicts. She demanded a 500% salary increase, from $30,000 to $150,000, which put a strain on her relationship with DeWitt. What was once a joyful set became a place of tension and disagreements.
Suzanne Somers always saw *Three’s Company* as a serious business and took her role as an actor very seriously, but she knew this approach bothered her co-stars.
Eventually, Somers was fired but still had to finish the fifth season under strange conditions. She was kept apart from the cast, filming her scenes through odd phone calls while escorted by security. The tension grew, leading to a painful break between Somers and Joyce DeWitt.
For over 30 years, they didn’t speak, a long silence that felt difficult to understand when you looked back at their early friendship on the show.
“They painted me as if I was trying to ruin the show,” Suzanne Somers said in 2020. “So, I never talked to anyone on that show ever again. Ever again.”
Some people thought that Joyce DeWitt’s rivalry played a role in Somers’ departure, but it was really the salary negotiations that caused the rift between them.
Their different situations made things more complicated — Somers was a single mother who needed financial security, while DeWitt was more focused on her acting. This added to the strain on their relationship.
“We had very different approaches to our careers,” Joyce DeWitt said about her relationship with Suzanne Somers after the show. “We had very different needs. I didn’t have a child to support on my own. I didn’t have a business mindset, so I didn’t understand someone who did.”
But in a wonderful turn of events, the two finally reunited in February 2012 on Somers’ talk show, *Breaking Through*. It was clear they had made peace.
The former co-stars shared a heartfelt hug, and their open conversation about the past showed signs of healing.
DeWitt expressed her deep admiration for Somers, saying, “You went up against ruthlessness, and it came down, but what you’ve gone on to do is immeasurable.” This touching moment highlighted the strength of their journey and the power of forgiveness. The two actresses remained friends until Somers’s sad passing in 2023.
In an interview with *US Weekly*, Joyce DeWitt spoke warmly about her late co-stars, honoring the lasting impact they made. Reflecting on Suzanne Somers, who passed away from breast cancer, DeWitt described her as “absolutely wonderful.”
She also paid tribute to John Ritter, who died in 2003 during heart surgery, calling him “a true gift.”
Looking back at the photos from *Three’s Company*, we are reminded of a different, happier time—one filled with laughter, friendship, and unforgettable memories. These images not only capture the joy the cast brought to TV screens but also highlight the lasting legacy they have left behind.
King Charles’ First Official Portrait Deemed Inappropriate
In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling
Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.
The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.
Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
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