To hide his affair, Herman inflicts emotional distress upon his stepson. When his jilted wife, the boy’s mother, learns the truth, she calmly delivers justice.
The soft melodies of Billie Holiday filled the room, the sultry voice surrounding the entangled figures on the white sofa. Herman, in his thirties, and Jezebel, his mistress, shared stolen moments in the dimly lit living room.
“This is so naughty of us!” Jezebel whispered. “What if your wife comes home early?”
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“My wife hasn’t come home early in at least a year! We have the whole morning,” Herman insisted.
“The whole morning!” Jezebel echoed. “Well, in that case, best we make the most of it, Mr. Loverman. Kiss me like you mean it.”
“That’s not all I’m going to do; just wait,” Herman replied, tossing his sweater aside.
They lost themselves in the moment, but a creaking door interrupted them. Panic gripped the pair; Herman’s wife wasn’t supposed to be back for hours.
“Who is it?” Jezebel whispered.
“It can’t be my wife,” Herman pleaded. “She told me she was working late. Quick, get—”
The front door slammed shut, and Herman faced the music.
A young voice broke the tension. “Herman? Are you here?” Herman’s son, Jake, entered, backpack slung over his shoulders.
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“What are you doing home, Jake?” Herman asked angrily.
“They made us go home early because of a scare,” Jake explained. “They thought there was someone with a gun in the school. Herman, who is this lady?” Jake asked, looking at Jezebel.
Herman denied Jezebel’s presence. “Jake, you must be seeing things.”
“But I see a lady right there,” Jake insisted.
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Herman concocted a lie about Jake’s shock from the school scare.
“Close your eyes and count to ten. If you can’t see the ghost, it can’t see you. And you see, it’ll disappear if you do that.”
Jezebel disappeared into the bedroom as Jake obediently counted. When he opened his eyes, the woman was gone.
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“I made her disappear?” Jake exclaimed.
“You got rid of the ghost. You’re a brave young man,” Herman assured.
After coaxing Jake to keep the encounter a secret, Herman allowed him unlimited screen time.
After Jake left, Jezebel re-entered the room, disapproving of Herman’s actions. “What was that? You lied to your son?”
“Stepson,” Herman corrected. “What did you expect? Tell him about us? Admit to our affair? I’ll do whatever it takes to keep us together.”
Jezebel sighed. “Okay, cool,” she said.
“That was close, though,” Herman said. “We’ll get back to what we were doing another time!”
“Yeah,” she agreed, kissing him goodbye. “See you later, Loverman,” she added seductively.
***
Herman’s wife, Grace, returned home after sunset. Tension enveloped the dinner table as they sat down to eat. Jake seized the opportunity to share his peculiar day.
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“Mom,” he began, “we left school early today because they thought there was someone with a g un inside.”
“What…what happened?” Grace gasped.
“It was a false alarm. Everything’s fine, right, Jake?” Herman interjected.
“I’m fine,” Jake said. “But when I came home, I saw a ghost.”
“A ghost?” Grace asked, concerned.
“It’s just his imagination,” Herman intervened, concealing his panic. “Post-traumatic stress from the school scare.”
Ignoring Herman, Grace focused on Jake. “What did the ghost look like?”
“She was a lady with big, frizzy hair,” Jake explained.
“She?” Grace repeated, looking at Herman.
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Herman laughed nervously. “He must be in shock. Go watch cartoons,” he told Jake.
After Jake left, Herman leaned in, trying to placate Grace. The tension lingered.
“I’ll call the school and get Jake an appointment with the psychologist,” Grace said. “Now that you’re not working, you can take him to the appointment.”
Herman almost yelled, “I’m trying to find a job!”
“I know. But..Maybe spend less time at that Moe’s Diner you visit often and help more with Jake,” Grace suggested stiffly.
Herman didn’t say much, promising to help her with her son.
After dinner, Grace decided to talk to Jake. “Talk to the counselor at school. It might help you understand what’s going on, honey, alright?”
“Okay, Mom,” Jake said sweetly and wished Herman and Grace good night.
Herman’s heart sank in regret, realizing his secret tryst with Jezebel was unraveling. He had hoped to manage the affair, but it was proving more complicated than expected.
As they sat in the living room, Grace’s eyes locked with Herman’s. “It’s for the best that we’re taking him to a doctor. My boy’s well-being is at stake.”
They argued, and Herman again said it wasn’t needed, but Grace’s determination prevailed. “I’ll make an appointment with the psychologist for Jake! And I’m taking him there myself!”
***
In Dr. Warren’s child-friendly office, Jake’s anxiety was palpable. His tiny hands gripped the chair he sat in.
Dr. Warren greeted him warmly. “Let’s talk about what happened, Jake.”
Jake hesitated, recalling the frightening incident that brought him here and Herman’s trick with ghosts. “Herman said if I close my eyes, the ghost would disappear.”
Dr. Warren turned to Grace. “What trick did Herman show you? What ghosts?”
Grace explained Herman’s role in their lives — that he was her second husband — and Jake continued, “Herman said when I close my eyes, the ghost can’t see me, so it goes away.”
Dr. Warren addressed Jake gently. “Closing your eyes won’t make dangerous things go away. It’s important to talk to someone you trust.”
Jake nodded, sharing his fear of the ghost breaking up his family. “I saw a Iady. I am scared that lady will make Herman leave Mom.”
Dr. Warren looked at Grace. “I’m going to recommend regular visits to help Jake understand these feelings better. Jake,” he added, turning to the boy, “can you please excuse us? Your mom will be out in just a minute. I want to make an appointment for your next visit with her.”
Jake nodded and left the room.
“I divorced Jake’s father because he was unfaithful. He had an affair,” Grace told Dr. Warren.
The man nodded. “I think what’s happening with Jake is a classic case of Kleinian Projective Identification,” he said.
“Is it serious? What…what can we do?” Grace asked, concerned for her little boy.
“Don’t worry,” Dr. Warren reassured her. “It’s just a theory in child psychology based on Melanie Klein’s work. Projective identification involves a child projecting feelings onto another or the world outside, often with the intent of making the other person experience what the projector is feeling, causing delusional behavior, like Jake’s. We can deal with this.”
“I just want what’s best for Jake,” Grace said worriedly. “If you think you can help him, then we’ll do whatever it takes.”
“I’d like to work with Jake,” Dr. Warren continued. “He might need counseIing and medication. I’m here to support both of you.”
***
Grace briefed Herman on Dr. Warren’s diagnosis over dinner. “What did he call it?” Herman asked.
“Something about projecting fears onto the externaI world,” Grace said.
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“Is it a real issue?” Herman inquired.
“Yes, according to Dr. Warren. Jake might need medication,” Grace replied.
Herman Iowered his head and concentrated on eating his food. “Is something wrong?” Grace asked him.
“Uh, no, no, nothing wrong,” Herman said unconvincingly. “Just thinking.”
“I’m taking the afternoon off tomorrow and taking Jake out for lunch. I think it will be good if he and I spend some time together. Maybe he will open up about what’s troubling him.”
“Okay,” Herman agreed nervously.
At Moe’s Diner, Grace and Jake discussed the menu. Suddenly, Jake closed his eyes, claiming to see the ghost from their living room.
“The ghost? Are you sure, honey?” Grace asked, worried and concerned.
Jake pointed to the frizzy-haired waitress, Jezebel. Grace approached her, inquiring about any unusual experiences at the restaurant. But Jezebel denied any ghostly occurrences.
Grace, suspicious, pressed on, “It’s just that sometimes kids pick up on things, you know? Strange vibes or unusual occurrences. It would put my mind at ease to know if there’s anything unusual about this place. For my son’s sake.”
Jezebel dismissed Grace’s doubts, claiming that Jake had an overactive imagination. Grace thanked her and returned to the table.
But the woman sensed something off about Jezebel. Pieces of the puzzle were falling into place, and she couldn’t shake the feeling that the truth was within reach.
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When Jezebel dropped the food, Grace said nothing. Jake closed his eyes and began counting again.
“It’s okay now, Jake, she’s gone,” Grace assured. Jake opened his eyes, focusing on his ice cream.
Grace had an idea. “Jake, should we call Herman and ask him to join us for lunch?”
Jake nodded unenthusiastically.
Grace smiled, pleased. “But my phone’s dead. I’ll ask the waitress if I can use hers.”
Approaching Jezebel, Grace said, “My phone’s almost flat. Can I use yours to make a quick call to my office?”
Jezebel handed her phone reluctantly. “No problem. Go right ahead,” she said.
Grace dialed Herman’s number and got the shock of her life when the caller ID on Jezebel’s phone revealed “Loverman.” Shocked, Grace hung up quickly and returned to the table. But now the truth was out.
With a weak smile, she encouraged Jake to finish his food soon.
After arranging a playdate for Jake, Grace returned home. Settling on the sofa, she reached for her phone, dialing Dr. Warren.
“It’s Grace. I need your guidance and support.”
Grace recounted the events, revealing her plan to remove Herman’s belongings. Dr. Warren supported her decision.
Soon, the removal men arrived, packing up Herman’s things.
When Herman arrived, he was shocked. “Grace, what’s going on? What are these men doing with our things?” he asked, baffled.
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Grace imitated the charade Herman had once played with their son, a mocking smile on her lips.
“Herman, what men? I don’t see any men. You must be seeing ghosts. Oh, and to be clear, those are not our things; they are your things.”
Herman’s face paled. The tables had turned.
His voice quivered, “Grace, you must believe me. I didn’t mean for any of this to happen. I—”
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Grace cut him off, her voice firm and unwavering. “Herman, there is no room for excuses. The time for lies and infidelity is over. You know what you are to me now? A ghost!”
Herman’s eyes twisted up with regret, but Grace’s resolve held. She explained that all of his personal items were being moved to a storage facility, signaling the end of their shared life together.
“I’ve also been in consultation with Dr. Warren, and we’ve initiated criminal charges for emotional abuse. The police will be here shortly.”
Soon, two officers arrived, their badges glinting. They informed Herman of his rights and took him away; justice was served.
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Grace, feeling vindicated, turned to the door, closed her eyes, and counted to ten – her way of making Herman’s ghost disappear.
Opening her eyes, she saw Jake, who ran to her and embraced her.
Grace held him close. The road ahead was uncertain, but they were united, and they would face whatever challenges that lay ahead with courage and love.
Paul Newman’s brutally honest words – he once confessed what he really thought of Robert Redford
Although the real-life outlaws Butch Cassidy and the Sundance Kid were close, actor Paul Newman admitted that he harbored some grudges against the young Robert Redford throughout the period of filming.
A true testament to their acting prowess, Redford as Harry Longabaugh, aka “Sundance Kid,” and Newman as Robert LeRoy Parker, aka “Butch Cassidy,” were convincing in their portrayals of the Wild West friends, notorious criminals who were eluding the law after a string of bank and train robberies.
The 1969 film, which was based on the actual outlaws, won four Oscars and is still regarded as one of the best Westerns ever produced. Four years later, in The Sting (1973), another caper movie starring two similarly attractive heartthrobs, the stars reunited.
Legends in their own right, Newman and Redford worked their magic when they were together. However, have you ever wondered how Hollywood’s A-listers get along away from the camera?When he was 44 years old, Newman, who portrayed Butch, admitted that he had been interested in the 33-year-old Redford’s 33-year-old character.
In a BBC Talking Pictures interview, Newman noted, “We have a lot of fun together, and we bounce off each other really well.” I would have wanted to play Sundance, he continued. With that cooled-out quality, I feel a little more at ease. It must be the simpler part, I suppose.
Redford was a budding star who won the Golden Globe for New Star of the Year in 1965 for his work with Natalie Wood in the movie Inside Daisy Clover.
After appearing in movies like Cool Hand Luke (1967) and Cat on a Hot Tin Roof (1958) with Elizabeth Taylor, Newman had already achieved superstardom.
Redford was cast opposite Newman, who was winning acting and directing accolades, in Butch Cassidy and the Sundance Kid after Steve McQueen turned down a role in the film. McQueen also declined parts in Dirty Harry, The French Connection, and One Flew Over the Cuckoo’s Nest.
The two celebrities weren’t truly friends at the time, according to Newman’s memoir, “The Extraordinary Life of an Ordinary Man: A Memoir,” the BBC reports.
Newman said, “You can’t depend on Redford. You’re never sure he’s going to be there. That’s simply discourteous.”
Their differences in working styles, according to Newman’s youngest daughter Claire Newman Soderlund, whom he fathered with his second wife Joanne Woodward, may have contributed to their conflicts.
She said, “My father was very much a stickler for timeliness and Bob, that was never really his strength. It was hard work for dad. He worked very hard at it because he wanted to be good and he wanted to be successful and Bob was more of a free spirit.”
When Newman passed away from lung cancer in 2008, Redford, who is now 86, told ABC News that, “It was just that connection of playing those characters and the fun of it that really began the relationship,” he said, reflecting on Butch Cassidy and the Sundance Kid. “And then once the film started, once we went forward, we then discovered other similarities that just multiplied over time, a common ground that we both had between us, interests and so forth, and differences.”
Newman and Redford looked into possibilities to collaborate on a third movie after portraying renowned outlaws and later thieves in The Sting, but it never materialized.
In Bill Bryson’s 1998 book of the same name, A Walk in the Woods, which was adapted into a 2015 movie, it almost happened. The plot of this buddy movie centers on two elderly guys who are out of shape and want to hike the challenging Appalachian Trail.
In 2005, Redford, who both appeared in and produced the movie, chose this script with his close friend Newman in mind.
In 2015, Redford said, “It started with Paul, because Paul and I had been looking for a third film to do together. A lot of time had gone by, and I just couldn’t find it. When I read this book… I thought of Paul right away.”
Redford, who was 79 at the time of the interview, claimed that he sent the book to Newman, who later cast Nick Nolte in the part because he wasn’t sure he could do it physically.
Since they initially worked together on Butch Cassidy and the Sundance Kid, the relationship between Newman and Redford, two highly regarded performers, has significantly deepened. The performers, who lived in Connecticut just a mile apart and started to act like brothers, are also close with their families.
Speaking after his buddy died, Redford said, “We both got to know each other’s flaws pretty well. Of course, I outweighed him on that front. But knowing each other’s flaws, we just played them to the hilt and we’d try to trick each other. We’d try to surprise each other, and it was so damn much fun that it became like–it became like a scenario unto itself.”
He added, “Paul really likes to have fun and he loves to laugh and he really especially loves to laugh at his own jokes, and some of them are just really awful. So the fact that he enjoyed them so much, you forget about the joke and you’d start to laugh with him because you’re so caught up in his enjoyment of them.”
Paul Newman and Robert Redford had such a great chemistry! Let us know what you think of their on-screen friendship and real-life romance!
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