Marlo Thomas, who is 86 years old, has had a successful acting career spanning many years. Her performances in shows like “Ocean 8,” “The Real Blonde,” and “A Magical Christmas Village” have made her well-known. Even though she produced a large body of work, her natural beauty from her “That Girl” days is what many admirers remember her for. But over time, Thomas’s appearance has changed dramatically, leading many to surmise that plastic surgery was a major factor.
Conjectures and AI-Created Pictures
Artificial intelligence-generated images indicate that, had Thomas not undergone plastic surgery, she may have aged normally with little wrinkles, a well-defined nose, and a charming grin on her elevated cheeks. The discussion on how plastic surgery has changed her appearance and whether these modifications are good or bad is fueled by these photos.
Public Responses to Her Changes
Fans weren’t slow to react when photos of Marlo Thomas’s altered face from 1968 to 2024 appeared online. “She was much prettier when she was on ‘That Girl’ before all the surgeries,” a user said. Her nose is awful right now. “She was so pretty, too bad she destroyed it with surgery,” said a dejected person. Others who believe she has overindulged in cosmetic surgeries echo these complaints.
Fans’ worries and complaints
A lot of admirers think Thomas was more attractive before having plastic surgery. There’s way too much work done, a user said. Before she struck the knife, she was stunning. Oh no. Commenters who expressed agreement included “I agree” and “So true.”A few admirers wished she had approached cosmetic treatments with more caution. Some nevertheless acknowledge her efforts in spite of these criticisms; one individual said, “Too many surgeries.” She is a remarkable woman, though.
Thomas’s Reaction to What People Think
Even with the criticism, Marlo Thomas is unmoved. She related a story about how she uploaded a photo of her husband Phil Donahue with their granddaughter and got comments implying that he had plastic surgery, even though he hasn’t. Thomas brushed these remarks aside, claiming that being well-groomed does not always imply having had surgery. She says, “But even if you did want to—go ahead!” in support of the notion that people should feel free to undergo plastic surgery if they so want.
Cher’s Impact and Personal Independence
Marlo Thomas like the way singer Cher responds to criticism over her own cosmetic procedures. Cher reportedly asserted that she could place her nose on her butt if she so desired, emphasizing the value of having personal control over one’s physical appearance. Thomas agrees, stating that she is unconcerned with the decisions that other people make about their bodies.
Individual Choices and Family Impact
It has been stated that Thomas, who has been outspoken about her body image, had plastic surgery to alter the curve of her nose. Her father Danny Thomas, who also underwent nose surgery, reportedly told her that if she inherited his nose, she should get into comedy. Though he encouraged her to accept her natural look, Thomas decided to have cosmetic surgery.
Influence on Popular Culture
Marlo Thomas’s plastic surgery has had an impact that goes beyond her individual encounters. The television writer Mindy Schneider disclosed in her autobiography, “Not a Happy Camper,” that her mother desired for her to undergo a nose job performed by the same physician who treated Thomas. This illustrates the demands of cosmetic surgery in the entertainment business as well as its wider cultural impact.
Accepting Personal Decisions
Marlo Thomas ultimately argues that individuals need to be free to make decisions regarding their bodies without fear of condemnation or censure. Her position emphasizes how important it is to accept people’s choices, regardless of whether they include cosmetic surgery or other personal choices.
In conclusion, Marlo Thomas’s change through plastic surgery has generated a great deal of public discussion, yet her dedication to individual freedom and body positivity is still evident. Her path, whether praised or criticized, sheds insight on the nuanced relationship between individual choice, beauty standards, and notoriety.
Gary Burghoff AKA Radar from ‘M*A*S*H’ Always Kept His Left Hand Out of View – Five Times We Could See It
The hit 1972 sitcom “M*A*S*H” introduced the world to a number of memorable and beloved characters, from the smart-mouthed yet compassionate Captain Benjamin Franklin “Hawkeye” Pierce to his endearing friend, Captain B.J. Hunnicutt. Almost every character had stuck in the minds of the fans.
One of the characters that often featured but was easily overlooked by his military counterparts due to his nervous nature was the 4077 MASH unit’s company clerk, Corporal Walter Eugene “Radar” O’Reilly. Although many of the staff on the base tended to take Radar’s effort for granted, the fans sure noticed him.
Radar was portrayed by the acclaimed actor Gary Burghoff from the start of the TV show in 1972 until the seventh season, which aired in 1979. Although fans clamored for more of the unassuming clerk, Burghoff revealed that he needed to step away from the show to rekindle his personal relationships and fight burnout.
“M*A*S*H’s” Influence and Burghoff’s Personal Identity
Although Burghoff enjoyed playing Radar, the role became increasingly demanding. The actor commented that it became difficult to separate himself from his character in the eyes of the public, which soon became tedious. He also noted that he despised being fawned over by the crowds:
“Aw, I know I’m cute. Cute, cute, CUTE! I was always cute because I was always the smallest kid on the block. I hate cute.”
Everyone saw Burghoff as an adorable, short, timid character as they’d known him on-screen and on the stage for many years. However, after years of being looked down upon, both metaphorically and physically speaking, Burghoff grew tired of the persona so easily attributed to him by scores of people he had never even met.
The actor lashed out against this view of him as a cute little fellow by defending his height. As he so rightly pointed out, 5 feet 6 inches isn’t irregularly short, and he would have seen the tops of Arte Johnson or Mickey Rooney’s heads had they ever met. Nonetheless, the persona stuck.
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor.
Despite his misgivings about how others perceived him, Burghoff’s fellow cast members adored him. The director Charles Dubin recalled working with Burghoff before he left “M*A*S*H,” noting how caring and pleasant Burghoff was to everyone on set. However, Burghoff had another aspect of himself that drove down his self-esteem.
Burghoff had been born with a congenital disability called Brachydactyly, a form of Poland Syndrome. The condition left the actor with three fingers on his left hand that were noticeably smaller than the rest of his digits, and the abnormality had plagued him since he was a small child. The actor commented:
“Of course, this defect affected me while I was growing up. I suppose when I was very young, I knew my disability would set me apart and make me special.”
Luckily for all his fans, Burghoff didn’t let his disability stand in his way, and he pursued his dream of becoming an actor. Yet, becoming a fan-favorite on one of the most iconic TV shows America had ever produced never managed to quell his insecurities about his stout fingers and stocky frame.
Throughout his run on “M*A*S*H,” Burghoff tried to hide his left hand from the camera. He would often position himself so that the camera could only see one side of his body and usually gestured with his right if the scene required it, although the actor would be obligated to use both hands now and again.
In one of the earliest episodes, viewers were introduced to Radar as he stood in an open area, wearing a greyish shirt and his trademark cap. As the actor turned around and looked at the sky — once again hearing approaching helicopters before everyone else — the camera briefly panned over both his hands holding a football.
When Colonel Sherman T. Potter first made his appearance on the show, taking over from the beloved Lieutenant Colonel Henry Blake, Radar and the new commander shared a scene where they first met. As Colonel Potter exited the room to find the latrines, the camera centered on Burghoff’s upper body as he opened a box with both hands.
Another infamous scene caught Burghoff with both hands on camera. During a regular morning salute, with the loathsome Major Frank Burns leading the ceremony, Radar does his usual morning salute with a bugle. In a hilarious twist, one of the men fires off the ceremonial canon at Burns’s behest.
Naturally, Radar gets the short end of the stick as the cannonball flies directly at him, knocking his instrument clean out of his hands. In the next few seconds, Burghoff turns toward the camera in a pantomime of rage, balling his fists and stomping in outrage. Here, both his hands can be seen for a brief second.
In one of the later episodes, the writers showed off Radar’s softer side when he cuddled his pet guinea pig, Babette. Naturally, Radar stood with his left hand beneath his right, but just as he started to sing, Father John Mulcahy called for him. Burghoff’s hands were visible again as he put the Babette away.
One of the scenes where Burghoff openly showed his left hand came as part of another gag the show pulled. At the start of the scene, Radar could be seen walking across a dirt road while two other military personnel walked away from the camera. The man on Radar’s right first lifted his hand in salute, followed shortly by one on the left.
Radar, the pleasant character he was, lifted his right hand in response to the first salute, as military etiquette dictates. Caught off guard by the quick second salute, Radar lifted his left hand as well, essentially performing a double salute. Feeling sheepish, he frowned and lowered his hands slowly in one of Burghoff’s classic displays of confusion.
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