The American soap opera “Dynasty” captured audiences worldwide in the 1980s, drawing viewers in with its compelling drama and complex relationships among characters like Blake Carrington, his wife Krystle Carrington, their children, and Blake’s ex-wife Alexis. The saga of the affluent Carrington family kept thousands glued to their screens, making the actors of “Dynasty” household names. Even today, many cherish the memories of this iconic series.
“Dynasty” was groundbreaking for its era, featuring intense power struggles, romantic conflicts, and sibling rivalries. The 1980s, characterized by bold colors, glamour, and extravagant hairstyles, provided the perfect backdrop for this opulent series.
At the heart of its success were the unforgettable performances of the cast, particularly Linda Evans and Joan Collins, who portrayed the fierce rivalry between Krystle and Alexis. Linda Evans embodied Krystle Grant Jennings Carrington, a character often seen as the heart of the show. Having started from the series’ inception, Evans received a Golden Globe Award for Best Actress in a Drama Series in 1982 for her role.
Reflecting on her journey, Evans once said: “That role was the answer to a prayer. I had just separated from my second husband and was uncertain about my future. I had never aimed to be an actress; I wanted to be a wife and mother. But at 39, I decided to pursue my career, and soon after, ‘Dynasty’ came along”.
Evans found a kindred spirit in Krystle, who sought love over wealth, embodying the same desires Evans had in her own life. Before her fame on “Dynasty”, Evans had already made a name for herself as “Audra” in the 1960s western series “The Big Valley” alongside Barbara Stanwyck.
After the series wrapped, Evans faced personal challenges, including depression following the illness of loved ones. In a 2016 interview, she described this period: “My life was in pieces. I struggled to understand my depression, and my health suffered”.
Although she stepped away from acting after 1997, Evans made a notable return in the 2021 film “Swan Song”. “I’m in love with this movie”, she shared. “It’s remarkable to be working at 78, but as I say: ‘Anything is possible’.”
Now at 81, Evans continues to inspire fans, reminding us of the enduring legacy of “Dynasty” and its beloved characters.
Joyce DeWitt’s Candid Confession Confirms What We All Suspected
Decades may have passed since Three’s Company graced our screens, but its laughter still echoes in our hearts.
With unforgettable characters and side-splitting misunderstandings, this classic sitcom revolutionized the genre. Now, Joyce DeWitt reveals what really made the show a timeless treasure…
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From the hilarious antics of three single roommates to the unforgettable performances of John Ritter and Suzanne Somers, Three’s Company remains a beloved staple of American television. It’s hard to believe it’s been 40 years since the series finale aired on ABC, yet its charm and humor still resonate today.
To illustrate how long ago Three’s Company became a hit, I just watched the intro. Seeing the shots from Santa Monica Pier during the show’s prime reminds me of how much has changed since they filmed there.
Sadly, neither John Ritter nor Suzanne Somers are with us anymore; both were taken from us far too soon. But keeping the spirit of Three’s Company alive is Joyce DeWitt, 75, who shares her vibrant stories and cherished memories from the beloved show.
”The most dear, precious, tender – and utterly unexpected – experiences that have come from working in ‘Three’s Company’ are the many, many adults who have told me that ‘Three’s Company’ was a safe haven they could count on during their teen years – for some, the only safe haven,” Joyce DeWitt told US Weekly.
Joyce DeWitt circa 1978. (Photo by Images Press/IMAGES/Getty Images)
Starring as Janet Wood alongside John Ritter and Suzanne Somers, DeWitt became a television icon and she was such a day brightener for millions.
She appeared in 171 episodes of the show between 1976 and 1984.
“It was such a gift. I mean, it was iconic. But who would have thought it?” Joyce DeWitt told The Spec. “All we were trying to do was make people laugh. When I think about it, the show was really an attempt to do a contemporary version of a 16th-century farce. It was about silliness running wild. I mean, we were talking about serious issues at times, but that was always somewhere underneath.”
“John Ritter used to say, ‘We don’t want people to just laugh but to fall over their couch laughing,’” she added. “The real issue was always the depth of friendship and the love those characters had for each other. That’s what drew people to them.”
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After Three’s Company ended, DeWitt stepped away from the spotlight for over a decade before making her comeback to acting.
Yet, no matter what she has accomplished or plans to do in the future, the vast majority will always connect her with that iconic show. And there’s a very simple reason for that, according to DeWitt.
“It was a ‘time out’ from the oppressive, challenging, difficult circumstances they were navigating in their young lives,” DeWitt says and adds:
“And, oh by the way, they say the characters also did stupid, crazy stuff that made them laugh. But it was the love, trust and support of the characters, one to the other, that made them lifelong fans.”
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When you look at unedited photos from the Three’s Company set, the camaraderie among the cast shines through, especially in the images of Joyce DeWitt and Suzanne Somers, who played the beloved Chrissy Snow.
Both actresses delivered iconic performances, portraying young women navigating a male-dominated industry. They contributed just as much to the show’s success as John Ritter, and in those early days, their smiles in photos tell a story of friendship and collaboration.
Yet, beneath the laughter, tensions simmered. While Somers was celebrated for her role as “the dumbest blonde in America,” her fight for equal pay created rifts that would grow over time. As she demanded a 500% salary increase — from $30,000 to $150,000 — her relationship with DeWitt became strained. The set, once filled with joy, was now fraught with conflict.
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