At my brother’s funeral, I expected sorrow and silence, not a sealed letter that would turn my world upside down. What he confessed inside rewrote everything I thought I knew about my family.
The sky was gray the morning of my brother’s funeral. The kind of gray that seeps into your bones. Cold, quiet, still.
A gloomy day at a cemetery | Source: Pexels
I stood beside my parents near the front of the small chapel. My black coat felt too tight. My shoes pinched. But I didn’t care. None of that mattered. What mattered was that Eric was gone.
People filled the seats. Some cried. Some just stared ahead. My mother sat stiff, clutching a tissue she never used. Her eyes stayed dry.
“Are you okay, Mom?” I whispered.
People at a funeral service | Source: Pexels
She nodded but didn’t look at me. “Fine, Lily. Just tired.”
She wasn’t fine. She was strange. Distant.
My dad leaned toward a cousin in the second row, whispering something I couldn’t hear. When he noticed me watching, he turned away fast.
Something felt off. Not just sadness. Something else.
A woman standing near a coffin | Source: Pexels
I kept catching them looking at me. My mom. My dad. And then looking away like they were guilty.
Eric’s widow, Laura, sat alone a few rows ahead. Her shoulders shook as she wiped her face. Real tears. Real pain. She didn’t fake it.
When the service ended, people left in twos and threes. Some hugged me. Some said nothing. I barely noticed.
A young woman at a funeral | Source: Pexels
Outside, the wind picked up. I stood by a tree near the parking lot, just needing air.
That’s when I saw Laura, walking toward me with something in her hands.
“Lily,” she said. Her voice cracked. “I need to give you this.”
“What is it?”
A woman holding a letter | Source: Midjourney
She held out an envelope. My name was written on the front in Eric’s handwriting.
“He asked me to give it to you. After.”
I stared at it. “After what?”
She looked away. “After everything.”
Two women talking at a funeral | Source: Midjourney
I took it with shaking hands. The envelope felt heavier than paper should.
“Did he… say anything else?” I asked.
She shook her head. “No. Just that it was important.”
I didn’t open it right away. I didn’t want to. Not yet.
A sealed letter on a table | Source: Pexels
I drove home in silence. I sat in the car for a while, staring at the envelope in my lap. My name looked strange in his writing. Like he was still here. Like he’d speak if I opened it.
But I didn’t. Not yet. My mind went back. To him. To us.
Eric was never the warm kind. No hugs. No late-night talks. He never called just to say hi.
A serious man looking at the camera | Source: Pexels
But he always showed up. He came to my high school graduation. Sat in the front row, silent, hands folded.
When I was in the hospital with the flu at sixteen, he was there. Just sitting. Didn’t say much. But didn’t leave.
He was like a shadow. Always around. Never close.
Sometimes, when I looked at him, I felt something more. Like there was something he wanted to say but never did.
A serious man looking to his side | Source: Pexels
He’d glance at me, open his mouth, then close it again. Now he never would.
I walked into my house, sat at the kitchen table, and stared at the envelope one more time. Then I broke the seal.
The paper inside the envelope was folded once. It smelled faintly like him—old books and cologne. My hands shook as I opened it.
A woman opening a letter | Source: Pexels
My dearest Lily,
There’s no easy way to write this. I’ve started and stopped this letter more times than I can count. If you’re reading it, then I never found the courage to say this to your face. I’m sorry for that.
Lily… I’m not just your brother. I’m your father.
I stared at the words. My heart dropped. My stomach twisted.
A shocked woman reading a letter | Source: Pexels
I was fifteen. Young. Stupid. I fell in love with someone who got scared when she found out she was pregnant. She wanted to leave, to run. My parents stepped in. They said they’d raise you as their own—and that I could be your brother. It was supposed to protect you.
But I never stopped being your dad. Not for a single day.
Tears blurred the words. I wiped them away with the sleeve of my sweater.
A man writing a letter | Source: Pexels
I wanted to tell you every time you smiled. Every birthday. Every school play. I wanted to say, ‘That’s my girl.’ But I didn’t. Because I was a boy pretending to be someone I wasn’t.
So I watched you grow from the side. I showed up when I could. I stayed close, but never too close. That was the deal. And the older you got, the harder it got.
A woman reading a letter | Source: Midjourney
I’m sorry I didn’t fight harder. I’m sorry I wasn’t brave. You deserved more than silence. You deserved the truth.
I love you, Lily. Always.
Love, Dad
The word Dad hit me like a wave.
A shocked woman looking at a letter | Source: Pexels
I dropped the letter and pressed my hands over my mouth. I couldn’t breathe. I cried right there at the kitchen table. Ugly, loud sobs. My chest ached. My whole life had shifted in the space of one page.
That night, I didn’t sleep.
The next morning, I drove to Laura’s house. She opened the door slowly. Her eyes were red, like mine.
A grieving woman opening the door of her house | Source: Midjourney
“You read it,” she whispered.
I nodded.
“Can I come in?”
She stepped aside. We sat in her living room in silence.
A sad woman sitting in her chair | Source: Pexels
“I didn’t know until after we got married,” she finally said. “He told me one night after a bad dream. He was shaking. I asked what was wrong, and he told me everything.”
I looked at her. “Why didn’t he ever tell me?”
Laura swallowed hard. “He wanted to. So many times. But he was scared. Scared it would break your heart. Scared you’d hate him.”
An upset woman looking down | Source: Pexels
I rubbed my hands together. “It makes sense now. All of it. The distance. The quiet way he loved me. It always felt like something was being held back.”
“He loved you more than anything, Lily. That letter tore him apart. But he made me promise—if anything ever happened to him, I had to give it to you.”
“I didn’t know him,” I whispered. “Not really.”
One woman comforting the other one | Source: Pexels
Laura reached for my hand. “You did. You just didn’t know why he was the way he was.”
I nodded slowly. A tear rolled down my cheek, but I didn’t wipe it away.
“I wish he’d told me sooner.”
“So did he.”
A crying woman looking at the camera | Source: Pexels
We sat quietly again. Nothing more needed to be said. But I knew what I had to do next.
I parked outside the house I grew up in. It looked the same. White shutters, neat yard, small porch. But it felt different now—like a place built on secrets.
I rang the bell. My mom opened the door, her smile ready. It dropped the second she saw my face.
A serious woman standing on the porch | Source: Midjourney
“Lily?”
“We need to talk.”
She stepped back without a word.
My dad was in the kitchen, sipping coffee. He looked up, startled.
“Hey, sweetheart—”
A mature man drinking coffee | Source: Pexels
“Why didn’t you tell me?” I said, my voice sharper than I meant. “Why did you lie to me my whole life?”
They exchanged a look. My mom sat down. Her hands trembled.
“We didn’t lie,” she said softly. “We were trying to protect you.”
“From what? From the truth? From my own father?”
A sad mature woman | Source: Pexels
“You were a baby,” my dad said. “We thought it would be easier. Simpler.”
“For who? Me? Or you?”
My mom’s eyes filled. “We didn’t want you to feel different. Or confused. Eric was so young. He wasn’t ready.”
“He was ready,” I snapped. “He showed up for me in ways you didn’t even notice. He was there. Always. But I never got to call him Dad. Not once.”
A shouting young woman | Source: Pexels
My mother stood and tried to touch my arm. I stepped back.
“Don’t,” I said. “Please.”
“I’m sorry,” she whispered. “We were scared.”
I nodded slowly. “Well, now I’m the one who’s scared. Because I don’t know who I am anymore. And I don’t know how to forgive you.”
A crying woman wiping her nose | Source: Pexels
My father set his mug down like it weighed too much. “Take all the time you need. We’ll be here.”
“I need space,” I said. “That’s all I can ask for right now.”
They didn’t argue. My mom wiped her eyes. My dad just nodded.
I walked out, the letter pressed to my chest like it was the only thing keeping me standing.
A woman walking out clutching a letter to her chest | Source: Midjourney
That night, I sat alone in my apartment, the letter open on the table again. I read it slowly, tracing the lines with my finger.
The pain was still there. But something else was too. Peace. A beginning.
I found a small frame in the back of my closet. I placed the letter inside and set it on my bookshelf.
Right in the center. Where I could see it every day.
A framed letter on a sunlit bookshelf | Source: Midjourney
He was my father. And now, I finally know.
10 Little-Known Mistakes in Pretty Woman That Will Blow Your Mind
Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
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