Rose McGowan, an actress, recently sparked a contentious discussion on Twitter over media mogul Oprah Winfrey. Her tweet revealed a different side of Oprah, casting doubt on the public’s view of the powerful person and bringing up issues with the way she has used her influence over time. Numerous Americans were drawn to this information, which resulted in a post going viral.
McGowan accused Hollywood producer Harvey Weinstein of sexually abusing her, and in a tweet, McGowan blasted Oprah for her alleged ties to Weinstein. Using the hashtag #lizard, she criticized Oprah for allegedly backing a “sick power structure for personal gain” and even branded her out as “fake”. There wasn’t much opportunity for interpretation with this clear-cut and unambiguous remark.
It’s important to remember, though, that McGowan’s post was made nearly a year after Oprah resigned from her role as executive producer of the Russell Simmons documentary for #MeToo. Oprah clarified that she didn’t think she and the filmmakers were still on the same creative page and that more work needed to be done to fully depict the stories of the victims. Oprah stressed her steadfast conviction in and support for the women who came forward as victims in an interview with The Hollywood Reporter.
Oprah did star in a film that was distributed by Weinstein’s media business, so it is true that she had prior relationships with him. Oprah admitted her previous friendship with Weinstein when the charges against him surfaced, but she insisted she was unaware of his predatory behavior toward women. If she had known, she claimed, she would have spoken out against his reprehensible actions.
Oprah’s relationship with Weinstein serves as a reminder of the difficulties in keeping personal and professional interactions separate, as well as the complexity of the entertainment industry. It’s critical to understand that people can be victims themselves as well as supporters of victims.
Rose McGowan has attacked Oprah outspokenly, but she has also become entangled in the controversy surrounding the California Gavin Newsom election recall. Notwithstanding these events, McGowan’s tweet is significant because it emphasizes how critical it is to report abuse and hold people accountable, regardless of their standing in society or level of influence. It serves as a reminder of the strength that comes from speaking one’s truth and advancing the social justice dialogue.
Richard Gere, 75, and his wife Alejandra Silva, 41, recently stole the spotlight with a public display of affection on the red carpet at the Zurich Film Festival
The 75-year-old Richard Gere and his 41-year-old wife Alejandra Silva recently wowed onlookers with their passionate gesture on the Zurich Film Festival red carpet as they attended the film’s premiere of “Wisdom of Happiness.” On October 8, 2024, Silva dazzled in a gorgeous cream and silver gown, while Gere looked smart in a classic black tuxedo. As they posed together, the couple, who looked to be totally in love, enjoyed intimate moments that highlighted their strong bond.
Gere wore a black bow tie and a spotless white shirt to go with his elegant tuxedo for their romantic evening at Corso in Zurich. Silva wore a sleeveless dress with a unique layered design that accentuated her toned arms. The silver heels perfectly complemented her manicure.
Supporters were eager to show their appreciation for the couple, complimenting their appearance and chemistry in numerous remarks. “How sweet,” one fan wrote, while another said, “She is a very attractive lady.” What he sees in her, I see as well. They are a compatible pair. “Beautiful couple,” and “Love Richard Gere,” were posted by other admirers.
Although the majority of responses were encouraging, one person expressed dissent, saying, “She’s much younger, but hey, it’s their life.” I dislike her outfit at this place. Furthermore, a few fans pointed to a similarity between Silva and Julia Roberts, the actress who costarred with Gere in the cherished movie “Pretty Woman.”
One of the movie’s most iconic scenes had Gere’s character, Edward, playing the piano as Roberts’ character, Vivian, walked in. Years later, Gere made a sarcastic quip about their electric chemistry, adding, “I mean, no chemistry.” It was clear that there was no chemistry between this actor and this actress. That’s not anything I’ve seen in a while. It’s a seductive scene.
The real bond between Gere and Silva was evident during their appearance, as they remained close, in sharp contrast to the dynamics on screen. Before, Silva told Richard how happy she was, saying, “I never thought I’d find a man so perfect for me.” There are no words to express how happy I am. She has also stated that it was intended for them to be apart in terms of age. Silva remarked, “He has promised me at least 20 good years!” and said that Gere’s intensity frequently made it difficult for her to keep up with him.
Silva also brought attention to the fact that friends frequently make assumptions about what Gere gains from her and remark on how much he loves her. She feels that her steadfast dedication to serving others has given him stability. Above all, the fact that I wasn’t a model or an actor helped. That has never piqued my attention. Our shared commitment to Buddhism and the Tibetan people, as well as our desire to assist those in need, are what have most brought us together, she said.
Silva’s resolve to stick with Gere is reinforced by her description of their love as the most romantic and delightful dream she has ever had. Gere has stated that, as a result of being married to a lady who is so stunning, wise, and compassionate, he feels like the happiest guy alive. He is impressed by her commitment to humanitarian causes, her easygoing demeanor, her patience, and her extraordinary culinary abilities—especially her renowned salads.
Every time they go to important occasions together, their devotion for one another is obvious. On September 1, 2024, Gere made a noteworthy appearance at the Venice Film Festival in Italy. He was accompanied not only by his spouse, but also by his attractive son, Homer Gere.
The duo was the talk of the red carpet at the amfAR Gala Venezia. Gere looked dapper in his tuxedo, and Silva complemented him with an equally elegant dark blue gown by Silvia Tcherassi that included gorgeous lace floral appliqués. The dress had a daring low-cut back and a flowing skirt with a high neckline.
Videos from the occasion showed the pair exchanging passionate looks and striking poses for the cameras. Homer even made an appearance, flaunting his tuxedo and spending quality time with his father. Many people made comments about their appearances as the crowd saw the family connection, with one saying, “His son looks a lot like him! fortunate man
Gere was spotted joyfully greeting spectators as they arrived by boat at the Venice Film Festival, prior to their glitzy event. During their boat ride, they were also observed conversing, underscoring the close relationship between father and son.
about stage during the festival, Gere reflected about his 1978 debut picture, “Days of Heaven,” in a moving moment. “This is so emotional for me to see— this is my first film and [..] I don’t think I’ve seen this probably in 30/40 years,” he said after seeing a moment from the film. Noting that he was only a few years older than his son at the time he made the movie, he took great satisfaction in Homer’s emerging acting career and acknowledged his artistic ability.
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