Deep within the animal realm, among the verdant forests and huge savannas, lives a unique species that goes by the name of elephant. Scientists and environmentalists have long been fascinated by these gentle giants. After years of intensive study and close observation, we now know that elephants have a profound emotional range and a grieving process that is remarkably comparable to our own.
George Wittemyer is a committed conservation biologist from Colorado State University who has spent a large amount of his professional life researching elephants. He once gave National Geographic a glimpse into his observations, illuminating the complex and mysterious mechanisms by which these majestic creatures deal with the death of a fellow herd member.
“Elephants have respect for their dead,” Wittemyer stated, “but their interaction with their dead is not something we fully understand.” Researchers have been intrigued by this mysterious part of their behaviour, which shows that when these animals experience the loss of one of their own, they react from deep-seated emotions.
Recently, Twitter user Parveen Kaswan released a video that revealed this fascinating discovery, underscoring the depth of elephants’ emotional intelligence and their distinct grieving process. The film shows a scenario on a peaceful road where all of the traffic has stopped and people are staring at an incredible sight.
A magnificent herd of elephants is crossing the street with a grace that is appropriate for their size and harmony. One elephant in particular sticks out in the parade, softly holding something in its trunk. Viewers, intrigued, quickly discover that the elephant is bearing a young, dead elephant calf, which is inert.
The herd stops quite solemnly, and the elephant carrying the small load carefully lays the dead calf on the ground. The others assemble around, creating a circle of respect. This scenario is quite moving; it conveys a sense of shared sadness and mourning.
The title of the video, as Parveen Kaswan so eloquently put it, “The family just don’t want to leave the baby.” Their behaviour is reminiscent of the solemn cortege of a deceased person.
The elephants continue to amaze and astound researchers and viewers alike with their level of emotional depth as they exhibit an instinctive reverence for the deceased and an understanding of the great grief they have experienced.
As they go on their trek, a second elephant comes up and tenderly cradles the dead calf in its trunk. Elephant herds are emotionally connected to one another, and this display of deep grieving and solidarity emphasises how capable elephants are of feeling loss and sadness.
This will move you !! Funeral procession of the weeping elephants carrying dead body of the child elephant. The family just don’t want to leave the baby.
The film serves as a moving reminder of the extraordinarily emotional lives that elephants lead and is evidence of the strong bonds that exist among animals. It’s a tale that connects our worlds and serves as a moving reminder of the intricacy and beauty of nature. Please spread the word about this post on Facebook to your loved ones so that others can also be moved by the moving scenes shown in the film.
King Charles’ First Official Portrait Deemed Inappropriate
In a dramatic unveiling that has left the public and critics buzzing, King Charles III revealed his first official portrait since ascending to the throne, and reactions have been anything but tepid. As debates rage on social media and in art circles, it is clear that King Charles’ portrait is destined to be one of the most talked-about royal artworks in recent history.
The unveiling
Recently, King Charles III personally unveiled a new portrait of himself at Buckingham Palace, the first such portrait since his coronation. The Royal Family’s Instagram account shared an exclusive video of the unveiling, featuring the king himself presenting the artwork.
This significant new work will ultimately be displayed in Drapers’ Hall in London, adding to its historical art collection and offering the public a glimpse of the monarch’s regal presence.
There was an ongoing debate in the comments.
The unveiling sparked a heated debate in the comments section on the Royal Family’s Instagram post and other social media sites. Opinions were sharply divided, with some users harshly criticizing the artwork. Comments ranged from “That is hideous” and “Without sounding rude, this is the worst royal portrait I’ve ever seen” to “100% thought this was satire.”
One critic remarked, “The face is good, the rest is appalling,” while another noted, “I would have loved this if it was any other color than red. He really captured the essence of him in the face, but the harshness of the red doesn’t match the softness of his expression.”
Despite the criticism, there were also voices of appreciation, such as “A lovely portrait of King Charles! I love the way the muted background draws attention to his face!” The mixed reactions highlight the polarizing nature of the portrait and the strong emotions it has evoked among the public.
The artist
Jonathan Yeo, a prominent figure in the world of figurative painting, has earned widespread acclaim for his unique blend of traditional and experimental portraiture. Yeo’s distinctive approach involves a deep engagement with his subjects, allowing him to capture their essence beyond mere physical appearance.
His recent portrait of King Charles III epitomizes this philosophy. Yeo explained, “As a portrait artist, you get this unique opportunity to spend time with and get to know a subject, so I wanted to minimize the visual distractions and allow people to connect with the human being underneath.”
The meaning of the portrait.
A particularly striking element of Yeo’s portrait is the inclusion of a butterfly. This detail serves multiple purposes, both symbolic and compositional. Yeo elaborated, “Primarily a symbol of the beauty and precariousness of nature, it highlights the environmental causes the King has championed most of his life and certainly long before they became a mainstream conversation.”
The butterfly also provides a visual contrast to the uniform, softening the portrayal and adding layers of meaning. “In the context of art history, a butterfly often symbolizes metamorphosis and rebirth, paralleling the King’s transition from Prince to monarch during the period the portrait was created,” Yeo noted, further emphasizing the transformative phase in King Charles’s life.
Yeo expressed his gratitude and honor for being commissioned to create such a significant portrait. “It was a privilege and pleasure to have been commissioned by The Drapers’ Company to paint this portrait of His Majesty The King, the first to be unveiled since his Coronation.”
Yeo’s approach to portraiture aims to encapsulate the life experiences and humanity etched into his subjects’ faces. “I do my best to capture the life experiences and humanity etched into any individual sitter’s face, and I hope that is what I have achieved in this portrait,” he explained.
The challenge of portraying a figure as complex and significant as King Charles III was substantial, but one that Yeo found immensely rewarding. “To try and capture that for His Majesty The King, who occupies such a unique role, was both a tremendous professional challenge, and one which I thoroughly enjoyed and am immensely grateful for,” he concluded. The portrait, destined for Drapers’ Hall in London, stands as a testament to both the artist’s skill and the monarch’s enduring legacy.
Discover the lesser-known facets of King Charles III’s life in our compelling article, “8 Things About King Charles III That Will Allow Us to Know Him More Closely.” Dive beyond the regal exterior to uncover intimate details about his passions, personal experiences, and unique quirks.
Preview photo credit Kin Cheung / Associated Press / East News, theroyalfamily / Instagram, jonathanyeo / Instagram
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