
My family turned their backs on me when I left journalism to become a private detective. They saw it as a disgrace, and I started to wonder if they were right. No clients, no money, just regrets. But then a teenage girl walked into my office, searching for her mother—and her case changed everything.
I was sitting in my small, dimly lit office, sorting through the week’s mail. Bills, bills, bills, advertisements, more bills. The usual.

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I let out a heavy sigh and set the letters aside, covering my face with my hands.
I used to be a journalist—a successful one, I must say—but I always felt like it wasn’t enough.
Stories were always unfinished, truths half-exposed, and justice left waiting. So, at 42, I quit my job and decided to become a private detective.

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It was something that truly interested me, something I had always wanted to do.
My family didn’t support me. They tried to talk me out of it, but when they realized my mind was made up, they turned their backs on me.
My husband finally had a reason to leave me for a younger woman—one with shinier hair, fewer wrinkles, and, I assumed, fewer opinions.

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And my daughter? She cut me out of her life completely. She saw being a private detective as disgraceful—especially when compared to the prestige of journalism.
Of course, it hurt. But the longer I worked as a private detective, the more I started to wonder if they had been right.
I hadn’t had a new client in nearly three months, and I had plenty of debt. People didn’t believe in a female private investigator.

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Men were assumed to be better at solving cases—stronger, sharper, tougher. As if intuition, patience, and persistence didn’t count.
Suddenly, even surprisingly, I heard a hesitant knock at the door. I straightened up, quickly smoothing my hair and shoving the pile of bills into a drawer.
“Come in!” I called out.

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The doorknob turned slowly, and the door creaked open. A girl, about fifteen, stepped inside.
She hesitated, shifting her weight from foot to foot. Her clothes were too small—cheap, second-hand, sleeves of her sweater jagged as if they’d been cut off.
“How can I help you?” I asked, motioning to the chair across from my desk.

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She sat down carefully, pulling her sleeves over her hands, her long, unkempt hair kept falling into her face. She brushed it away absently, over and over.
One thing was clear—she didn’t have a mother. I had taught my daughter how to braid her hair when she was six. This girl had no idea what to do with hers.
“My name is Emily,” she said, her voice quiet but firm. “I’m an orphan. I need your help to find my mother.”

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I studied her face. She looked nervous, but her eyes held something else—determination.
“She gave you up?” I asked.
Emily nodded. “Yes. I don’t know anything about her. Not her name, not what she looks like. Nothing.”

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She swallowed hard. “I’m fifteen now. No one is going to adopt me at this point. But I want to find her. I just want to see her. I need to understand why she left me.”
Her words stung. No child should feel unwanted. No child should wonder why they weren’t enough.
“I’ll need something to go on,” I said, reaching for my notebook.

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Emily sat up straighter. “I was born in this town. I’ve never moved, never been sent anywhere else.” She took a breath. “My birthday is February 15, 2009.”
I jotted it down.
“Is that enough?” she asked, her fingers gripping the edge of her sweater.
“I’ll do everything I can,” I promised.

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She hesitated, then pulled a few crumpled bills from her pocket. “I have some money, but not much.”
It wasn’t even close to what I needed, but that didn’t matter.
“If I find her, then you can pay me,” I said.
Her lips trembled. “Thank you.”

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She stood to leave.
“Wait. How can I find you?” I asked.
She scribbled an address and handed it to me. “My foster home. I’ll be there.”
I nodded, and she walked out.

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The next morning, I wasted no time. It had been a long time since I had worked on a real case.
Even though I knew I wouldn’t make any money from this one—I couldn’t, in good conscience, take money from an orphan—it still felt good to have a purpose.
The first place I went was the hospital. Our town had only one, which made things easier.

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If Emily’s mother had given birth there, the records would be somewhere inside.
One advantage of my former job was that I had connections everywhere. The hospital was no exception.
I knew exactly who to talk to—Camilla. She had been a nurse for years, and we had met back when I was covering a story about harassment in hospitals.

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She had been a source then. Since that day, she’d been a friend. As soon as she spotted me, she put down her clipboard and grinned.
“Sara!” she said, pulling me into a quick hug. “What brings you here? Please don’t say trouble.”
“I need your help,” I said, leaning in slightly.

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Camilla raised an eyebrow. “Of course you do. You never just stop by to visit an old friend, do you?”
I crossed my arms. “You were literally at my house for dinner last week.”
She smirked. “Fine. What do you need?”
“Birth records. February 15, 2009.”

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She blinked. “That’s specific. Should I be worried?”
“Nothing illegal. I just need to find a name.”
Camilla folded her arms. “That’s doable, but make it fast.”
I hesitated. “The baby was given up, probably in secret.”

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Her expression changed. “Sara, you know I can’t just hand you confidential records.”
“Please,” I said. “Just a quick look. No one will even notice.”
She studied me, then sighed. “You have ten minutes.”
I smiled. “Thank you. I owe you.”

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She rolled her eyes. “You owe me for life.”
She led me through a narrow hallway to the hospital archives. The air smelled of dust and old paper.
Camilla pulled out a thick folder labeled 2009 – Abandoned Newborns and handed it to me.

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“Be quick,” she whispered.
I flipped through the pages, my fingers trembling. February 15. My eyes locked on the mother’s name. My breath caught.
No. This couldn’t be real.
I shoved the file back and hurried out.

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Camilla stood by the door. “Sara, you’re as pale as a ghost. What happened?”
“I’ll explain later,” I muttered, pushing past her. I needed air.
I stood outside a house I had never seen before. The air felt heavy, pressing down on me.
Emily’s case had become the hardest of my career. Too personal. Too close.

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I stared at the door. My hands felt numb. I couldn’t bring myself to ring the bell.
I took a breath and reached for the doorbell. My hand hovered over it. I could still turn around, pretend I never came. But that wasn’t an option. Not for Emily.
I pressed the button. The chime echoed inside. Footsteps approached.

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The door opened, and I saw her.
Her face paled. Her lips parted in shock. “Mom?”
I swallowed hard. My throat felt tight. “Hi.”
Meredith blinked. Her fingers tightened around the edge of the door. “What are you doing here? I thought I made it clear—I don’t want to see you.”

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I met her gaze. “I wouldn’t have come if this were about me.”
Her eyes darkened. “Then why are you here?”
I took a deep breath. “For your daughter.”
The color drained from her face. Her whole body tensed. “How… how did you—” She couldn’t finish.

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Her breath hitched. Tears filled her eyes. Then, without a word, she stepped aside and let me in.
The kitchen was small but neat. She moved stiffly, as if her body wasn’t sure what to do. She pulled out a chair and sat down.
I stayed standing for a moment, then sat across from her. Silence filled the space between us.

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“Her name is Emily, if you’re wondering,” I said. “No one ever adopted her. She’s been living with foster families. She came to me to find her mother, but I never imagined—”
Meredith squeezed her hands together. “Please stop,” she whispered.
I waited.

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“I have regretted it my whole life,” she said, her voice breaking. “I tried to forget. I told myself it was the best thing. That she’d have a better life without me. And now you show up out of nowhere to remind me what a terrible person I am.”
“You’re not terrible. You were a child yourself when she was born. I just don’t understand how you hid it. How did your father and I not know?”

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“I wore loose clothes. My belly wasn’t that big. And I planned to give birth in another town, but you and Dad went abroad for your work right before it happened. So it all worked out,” she said.
“Tell her I couldn’t be found,” Meredith said suddenly.
“Why?” I asked. “Meredith, I’m a mother too. I know what it’s like to lose a child. Nothing is more painful than that.”

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She lowered her gaze. Her voice trembled. “How can I face her? She’ll hate me.”
I let her words hang in the air. “Maybe,” I admitted. “But even so, she wanted to find you. That means something.”
Meredith wiped at her eyes. “What if she doesn’t want me?”
“She wants answers. She wants to know where she came from. You owe her that.”

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She looked away. I knew she resented me. But I reminded myself—this wasn’t about us. It was about Emily.
“I have her address,” I said. “Do you want to see her?”
Meredith hesitated. Then, slowly, she nodded.
We drove in silence. The streetlights flickered as we passed. When we reached the house, Meredith didn’t move. Her fingers dug into her lap.

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“Aren’t you coming?” she asked.
I shook my head. “This is between you two.”
She looked down. Her voice broke. “Mom… I regret cutting you out. I was ashamed.”
I turned to her. “You are my daughter. No matter what, I will always love you.”

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Her face crumpled, and she reached for me. I wrapped my arms around her, holding her the way I had when she was little.
“What you’re doing is important,” she whispered. “People like Emily need you.”
I smiled, brushing a strand of hair from her face.

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Then she stepped out, walked to the door, and knocked.
A moment later, Emily appeared. They stared at each other. Then Meredith took a breath. Emily took a step forward.
They talked. They cried. And then Emily wrapped her arms around her mother.

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If you enjoyed this story, read this one: My future brother-in-law was always a problem—rude, arrogant, and always pushing boundaries. But on my wedding day, he crossed a line we could never forgive. He humiliated me in front of everyone, turning my perfect day into a nightmare. That was the last straw, and my fiancé finally had enough.
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Paul Newman’s brutally honest words – he once confessed what he really thought of Robert Redford
Although the real-life outlaws Butch Cassidy and the Sundance Kid were close, actor Paul Newman admitted that he harbored some grudges against the young Robert Redford throughout the period of filming.
A true testament to their acting prowess, Redford as Harry Longabaugh, aka “Sundance Kid,” and Newman as Robert LeRoy Parker, aka “Butch Cassidy,” were convincing in their portrayals of the Wild West friends, notorious criminals who were eluding the law after a string of bank and train robberies.
The 1969 film, which was based on the actual outlaws, won four Oscars and is still regarded as one of the best Westerns ever produced. Four years later, in The Sting (1973), another caper movie starring two similarly attractive heartthrobs, the stars reunited.

Legends in their own right, Newman and Redford worked their magic when they were together. However, have you ever wondered how Hollywood’s A-listers get along away from the camera?When he was 44 years old, Newman, who portrayed Butch, admitted that he had been interested in the 33-year-old Redford’s 33-year-old character.
In a BBC Talking Pictures interview, Newman noted, “We have a lot of fun together, and we bounce off each other really well.” I would have wanted to play Sundance, he continued. With that cooled-out quality, I feel a little more at ease. It must be the simpler part, I suppose.
Redford was a budding star who won the Golden Globe for New Star of the Year in 1965 for his work with Natalie Wood in the movie Inside Daisy Clover.

After appearing in movies like Cool Hand Luke (1967) and Cat on a Hot Tin Roof (1958) with Elizabeth Taylor, Newman had already achieved superstardom.
Redford was cast opposite Newman, who was winning acting and directing accolades, in Butch Cassidy and the Sundance Kid after Steve McQueen turned down a role in the film. McQueen also declined parts in Dirty Harry, The French Connection, and One Flew Over the Cuckoo’s Nest.
The two celebrities weren’t truly friends at the time, according to Newman’s memoir, “The Extraordinary Life of an Ordinary Man: A Memoir,” the BBC reports.
Newman said, “You can’t depend on Redford. You’re never sure he’s going to be there. That’s simply discourteous.”
Their differences in working styles, according to Newman’s youngest daughter Claire Newman Soderlund, whom he fathered with his second wife Joanne Woodward, may have contributed to their conflicts.

She said, “My father was very much a stickler for timeliness and Bob, that was never really his strength. It was hard work for dad. He worked very hard at it because he wanted to be good and he wanted to be successful and Bob was more of a free spirit.”
When Newman passed away from lung cancer in 2008, Redford, who is now 86, told ABC News that, “It was just that connection of playing those characters and the fun of it that really began the relationship,” he said, reflecting on Butch Cassidy and the Sundance Kid. “And then once the film started, once we went forward, we then discovered other similarities that just multiplied over time, a common ground that we both had between us, interests and so forth, and differences.”
Newman and Redford looked into possibilities to collaborate on a third movie after portraying renowned outlaws and later thieves in The Sting, but it never materialized.
In Bill Bryson’s 1998 book of the same name, A Walk in the Woods, which was adapted into a 2015 movie, it almost happened. The plot of this buddy movie centers on two elderly guys who are out of shape and want to hike the challenging Appalachian Trail.
In 2005, Redford, who both appeared in and produced the movie, chose this script with his close friend Newman in mind.
In 2015, Redford said, “It started with Paul, because Paul and I had been looking for a third film to do together. A lot of time had gone by, and I just couldn’t find it. When I read this book… I thought of Paul right away.”
Redford, who was 79 at the time of the interview, claimed that he sent the book to Newman, who later cast Nick Nolte in the part because he wasn’t sure he could do it physically.

Since they initially worked together on Butch Cassidy and the Sundance Kid, the relationship between Newman and Redford, two highly regarded performers, has significantly deepened. The performers, who lived in Connecticut just a mile apart and started to act like brothers, are also close with their families.
Speaking after his buddy died, Redford said, “We both got to know each other’s flaws pretty well. Of course, I outweighed him on that front. But knowing each other’s flaws, we just played them to the hilt and we’d try to trick each other. We’d try to surprise each other, and it was so damn much fun that it became like–it became like a scenario unto itself.”
He added, “Paul really likes to have fun and he loves to laugh and he really especially loves to laugh at his own jokes, and some of them are just really awful. So the fact that he enjoyed them so much, you forget about the joke and you’d start to laugh with him because you’re so caught up in his enjoyment of them.”

Paul Newman and Robert Redford had such a great chemistry! Let us know what you think of their on-screen friendship and real-life romance!
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