Miranda Lambert seemed to have no regrets about embarrassing one of her fans, even in the face of the criticism.
The country music star is currently the main attraction at a Vegas residency slot, as Mamas Uncut previously revealed. Additionally, she abruptly ended her performance last week to yell at a fan at one of her shows.
Lambert reportedly noticed a fan who had paid to attend her event snapping a “selfie” as she was singing her song “Tin Man.” In front of the whole audience, Lambert used the occasion to call out the paying fan.
“I’m going to stop for a minute,” she declared. The woman she was gesturing to was then told by Lambert to stop taking selfies rather than enjoying the music.
I’m a little annoyed that these females are preoccupied with their selfie and aren’t listening to the song. I’m sorry, but I really dislike it. Tonight, we’re here to listen to some country music. I’m performing some damn country music.
Lambert resumed his performance as the woman put her phone aside. Fans of Lambert were eager to applaud her when she called out the “selfie-takers” during the performance.
After her most recent performance, Lambert halted her show once more when she noticed a fan sporting a t-shirt that said, “Shoot tequila, not selfies.” Lambert apparently liked the shirt.
The crowd was informed by Lambert that her blouse read, “Shoot tequila, not selfies.” “I didn’t do it; she did!”
Lambert’s decision to add salt to the wound has now angered people even more. “Whoa! One commenter commented, “It’s unbelievable that this is how she’s responding to her rudeness.”
Some social media users were equally supportive of Lambert’s behavior as the other concertgoers appeared to be. One Twitter user remarked, “How to humiliate and shame your devoted fans who love you.” She could have made fun of them, posed for the selfie, and then urged them to live in the present. Not cool.
“The goal of attending a concert is to make memories and have an experience. Another Twitter user commented, “Anyone should be able to take a picture to record that memory.”
Since then, the alleged “self-taker” has released the pictures she shot and offered a response to Lambert’s behavior. When asked how long it took to take the photo before they went back to their seats, Adela Calin responded, “It was 30 seconds at most.” She also added that they “took the picture quickly and were going to sit back down.”
But Miranda Lambert has already called them out before they can reach that stage. Calin acknowledged that she was “appalled” by Lambert’s denigration of them in front of thousands of people.
She remarked, “It felt like I was back at school, with the teacher telling me to sit down again in my place and reprimanding me for doing something wrong.” “… She seemed intent on making us appear youthful, conceited, and immature. However, we were merely mature women in our 30s to 60s attempting to capture a photo.
Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ as she was ‘not cute anymore’
The world first fell in love with the endearing Mara Wilson in the early 1990s. She was a child actor best remembered for her roles as the bright young girl in beloved family films like Miracle on 34th Street and Mrs. Doubtfire.
The rising actress, who turned 37 on July 24, looked like she was ready for big things, but as she got older, she lost her “cute” factor and vanished from the big screen.
She continues, “If you’re not cute anymore, if you’re not beautiful, then you are worthless. Hollywood was burned out on me.”
To find out what happened to Wilson, continue reading!
When five-year-old Mara Wilson played Robin Williams’ youngest kid in Mrs. Doubtfire in 1993, she won over millions of fans’ hearts.
When the California native was invited to feature in one of the highest-grossing comedies in Hollywood history, she had already made appearances in advertisements.
“My parents grounded me even though they were proud of me.” My mother would always tell me that I’m just an actor if I ever stated something like, “I’m the greatest!” Wilson, who is now 37, remarked, “You’re just a kid.”
Following her big screen premiere, she was cast in 1994’s Miracle on 34th Street as Susan Walker, the same character Natalie Wood had performed in 1947.
Wilson describes her audition as follows: “I read my lines for the production team and told them I didn’t believe in Santa Claus” in an essay for the Guardian. “But I did believe in the tooth fairy and had named mine after Sally Field,” she writes, referring to the Oscar-winning performer who portrayed her mother in Mrs. Doubtfire.
“Very unhappy”
Next, Wilson starred with Danny DeVito and his real-life wife Rhea Perlman in the 1996 film Matilda as the magical girl.
Additionally, Suzie, her mother, lost her fight against breast cancer in that same year.
“I wasn’t really sure of my identity.I was two different people before and after that. Regarding her profound grief following her mother’s passing, Wilson explains, “She was like this omnipresent thing in my life.””I found it kind of overwhelming,” she continues. I mostly just wanted to be a typical child, especially in the wake of my mother’s passing.
The young girl claims that she was “the most unhappy” and that she was fatigued when she became “very famous.”
She reluctantly took on her final significant role in the 2000 fantasy adventure movie Thomas and the Magic Railroad at the age of 11. “The characters had too little age. I reacted viscerally to [the] writing at 11 years old.I thought, ugh. I love it, she says to the Guardian.
“Destroyed”
Her decision to leave Hollywood wasn’t the only one, though.
Wilson was going through puberty and growing out of the “cute” position as a young teenager, so the roles weren’t coming in for him.
“Just another weird, nerdy, loud girl with bad hair and teeth, whose bra strap was always showing,” was how she was described.
“When I was thirteen, no one had complimented me on my appearance or called me cute—at least not in a flattering way.”
Wilson had to cope with the demands of celebrity and the difficulties of becoming an adult in the public glare. It had a great influence on her, her shifting image.
“I had this Hollywood notion that you are worthless if you are not attractive or cute anymore. Because I connected that directly to my career’s downfall. Rejection still hurts, even if I was kind of burned out on it and Hollywood was burned out on me.
Mara in the role of author
Wilson wrote her first book, “Where Am I Now?,” before becoming a writer. “Ancidental Fame and True Tales of Childhood,” published in 2016.
The book explores “her journey from accidental fame to relative (but happy) obscurity, covering everything from what she learned about sex on the set of Melrose Place, to discovering in adolescence that she was no longer ‘cute’ enough for Hollywood.”
In addition, she penned the memoir “Good Girls Don’t,” which explores her experiences living up to expectations as a young performer.
In her Guardian column, she states, “Being cute just made me miserable.” It was always my expectation that I would give up acting, not the other way around.
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