When a rich man, who feels emotionally distant, gives shelter to Lexi, a homeless woman, he becomes intrigued by her strength. Their unexpected friendship starts to grow—until one day he walks into his garage without knocking and finds something shocking. Who is Lexi really, and what is she hiding?
I had everything money could buy: a big house, fancy cars, and more wealth than I could ever use in a lifetime. Yet, inside, I felt an emptiness I couldn’t fill.
I had never had a family since women always seemed to want me only for the money I got from my parents. At sixty-one, I often wished I had made different choices.
I tapped the steering wheel absentmindedly, trying to shake off the familiar weight on my chest. That’s when I spotted a messy woman bent over a trash can.
I slowed the car, unsure why I even bothered. People like her were everywhere, right? But there was something about the way she moved, her thin arms digging through the garbage with a grim determination that tugged at something inside me.
She looked fragile but fierce, like she was holding on to life by sheer willpower.
Before I knew it, I had pulled over. The engine hummed as I rolled down the window, watching her from the safety of my car.
She looked up, startled. Her eyes widened, and for a moment, I thought she might run. But she didn’t. Instead, she straightened up, brushing her hands on her faded jeans.
“Do you need some help?” I asked, my voice sounding strange to me. I wasn’t the kind of person to talk to strangers or invite trouble into my life.
“You offering?” There was a sharpness in her voice, but also a tiredness, like she’d heard every empty promise before.
“I don’t know.” The words tumbled out before I could think. I stepped out of the car. “I just saw you there, and it didn’t seem right.”
She crossed her arms over her chest, her gaze fixed on mine. “What’s not right is life.” She let out a bitter laugh. “And cheating, no-good husbands in particular. But you don’t seem like someone who knows much about that.”
I winced, even though I knew she was right.
“Maybe not.” I paused, unsure how to continue. “Do you have a place to go tonight?”
She hesitated, her eyes darting away for a second before locking back onto mine. “No.”
The word hung in the air between us. That was all I needed to hear.
“Look, I have a garage. It’s more like a guest house. You could stay there until you get back on your feet.”
I expected her to laugh in my face, to tell me to go away. But instead, she blinked at me, the edges of her tough exterior starting to crack.
“I don’t take charity,” she said, her voice quieter now, more vulnerable.
“It’s not charity,” I replied, though I wasn’t entirely sure what it was. “It’s just a place to stay. No strings attached.”
“Okay. Just for a night,” she replied. “I’m Lexi, by the way.”
The drive back to my house was quiet. She sat in the passenger seat, staring out the window, her arms wrapped around herself like a shield.
When we arrived, I led her to the garage-turned-guest-house. It wasn’t fancy, but it was enough for someone to live in.
“You can stay here,” I said, pointing to the small space. “There’s food in the fridge, too.”
“Thanks,” she muttered.
Over the next few days, Lexi stayed in the garage, but we saw each other for meals. I couldn’t quite put my finger on it, but something about her pulled at me.
Maybe it was how she kept going despite everything life threw at her, or perhaps the loneliness in her eyes, which mirrored my own. Maybe it was just the simple fact that I didn’t feel so alone anymore.
One night, as we sat across from each other at dinner, she began to open up.
“I used to be an artist,” she said softly. “Well, I tried to be. I had a small gallery, a few shows… but it all fell apart.”
“What happened?” I asked, genuinely curious.
She laughed, but it was a hollow sound. “Life happened. My husband left me for a younger woman he got pregnant and kicked me out. My whole life unraveled after that.”
“I’m sorry,” I muttered.
She shrugged. “It’s in the past.”
But I could tell it wasn’t, not really. The pain was still there, just below the surface. I knew that feeling all too well.
As the days passed, I found myself looking forward to our conversations.
Lexi had a sharp wit and a biting sense of humor that cut through the gloom of my empty house. Slowly, the hollow space inside me seemed to shrink.
It all changed one afternoon. I had been rushing around, trying to find the air pump for one of my cars. I barged into the garage without knocking, expecting to grab it quickly and leave. But what I saw stopped me cold.
There, spread across the floor, were dozens of paintings. Of me.
Or rather, grotesque versions of me. One painting showed me with chains around my neck, another with blood pouring from my eyes. In the corner, there was one of me lying in a casket.
I felt a wave of nausea wash over me. This was how she saw me? After everything I’d done for her?
I backed out of the room before she noticed me, my heart pounding.
That night, as we sat down for dinner, I couldn’t shake the images from my mind. Whenever I looked at Lexi, all I could see were those horrific portraits.
Finally, I couldn’t take it anymore.
“Lexi,” I said, my voice tight. “What are those paintings?”
Her fork clattered to the plate. “What are you talking about?”
“I saw them,” I said, my voice rising despite my efforts to stay calm. “The paintings of me. The chains, the blood, the coffin. What the hell is that?”
Her face went pale. “I didn’t mean for you to see those,” she stammered.
“Well, I did,” I said coldly. “Is that how you see me? As some monster?”
“No, it’s not that.” She wiped her eyes, her voice shaky. “I was just… angry. I’ve lost everything, and you have so much. It wasn’t fair, and I couldn’t help it. I needed to let it out.”
“So you painted me like a villain?” I asked sharply.
She nodded, shame etched on her face. “I’m sorry.”
I sat back, letting the silence stretch between us. I wanted to forgive her. I wanted to understand. But I couldn’t.
“I think it’s time for you to go,” I said flatly.
Lexi’s eyes widened. “Wait, please—”
“No,” I interrupted. “It’s over. You need to leave.”
The next morning, I helped her pack her things and drove her to a nearby shelter. She didn’t say much, and neither did I. Before she stepped out of the car, I handed her a few hundred dollars.
She hesitated but then took the money with trembling hands.
Weeks passed, and I couldn’t shake the feeling of loss. Not just because of the disturbing paintings, but because of what we had before. There had been warmth and connection — something I hadn’t felt in years.
Then, one day, a package arrived at my door. Inside was a painting, but this one was different. It wasn’t grotesque or twisted. It was a serene portrait of me, captured with a peace I hadn’t known I possessed.
Tucked inside the package was a note with Lexi’s name and phone number scrawled at the bottom.
My finger hovered over the call button, my heart beating faster than it had in years. Getting worked up over a phone call felt silly, but there was so much more riding on it than I wanted to admit.
I swallowed hard and hit “Call” before I could second-guess myself. It rang twice before she picked up.
“Hello?” Her voice was hesitant, like she sensed it could only be me.
I cleared my throat. “Lexi. It’s me. I got your painting… it’s beautiful.”
“Thank you. I wasn’t sure if you’d like it. I figured I owed you something better than… those other paintings.”
“You didn’t owe me anything, Lexi. I wasn’t exactly fair to you, either.”
“You had every right to be upset.” Her voice was steadier now. “What I painted — those were things I needed to get out of me, but they weren’t really about you. You were just… there. I’m sorry.”
“You don’t need to apologize, Lexi. I forgave you the moment I saw that painting.”
Her breath hitched. “You did?”
“I did,” I said, and I meant it. It wasn’t just the painting that had changed my mind; it was the feeling that I had let something meaningful slip away because I was too scared to face my pain. “And… well, I’ve been thinking… maybe we could start over.”
“What do you mean?”
“I mean, maybe we could talk. Maybe over dinner? If you’d like.”
“I’d like that,” she said. “I’d really like that.”
We made plans to meet in a few days. Lexi told me she used the money I gave her to buy new clothes and get a job. She was planning to move into an apartment when she got her first paycheck.
I couldn’t help but smile at the thought of having dinner with Lexi again.
Straight Family Man Prefers To Wear Skirts And Heels As He Believes ‘Clothes Have No Gender’
Introducing Mark Bryan, a fashion-forward robotics engineer who is making waves and upending conventional wisdom. Bryan, who has been married for eleven years and is a loving parent, defies stereotypes by dressing in what many would consider unusual clothing. Bryan, an American living in Germany, freely wears heels and skirts, stating that gender norms shouldn’t apply to fashion.
You might wonder, why? Bryan, on the other hand, thinks that men’s fashion—particularly office wear—is very boring, consisting only of dark blues, grays, and blacks with the occasional pinstripe. Is there any passion in that? Conversely, skirts provide an array of designs, patterns, and hues – a veritable rainbow of outfit options!
Bryan embraces a fashion trend that combines parts of the traditionally masculine and feminine, teaming ties and blazers with pencil skirts and four-inch heels. It’s his method of demonstrating the genderlessness of clothing. In addition, when his girlfriend wanted a dancing partner who could match her eye level back in college, he taught her how to walk in heels. After a whole year of preparation, he has been strutting with confidence ever since!
Bryan’s unrepentant attitude disregarded social norms. He dresses in ways that bring him joy while defying conventions. What he says about it is as follows:
Clothes are genderless in my opinion. I like skirts more than dresses. I can’t mix the genders with dresses. Above the waist, I like to look “masculine,” and below the waist, I like to look non-gendered. It’s all about the genderlessness of clothing.
Bryan recalls an era when girls were not supposed to wear pants to school. Pants are now gender neutral. Why not heels and skirts then? Furthermore, males have worn heels in the past. The Persian cavalry of the tenth century, who wore galesh or kalash boots to keep their feet in stirrups, are credited with the invention of high heels. Later, wearing high heels—even by popes—became a status signal for European royalty.
The 18th century saw the emergence of a gender gap in fashion, which Bryan is now challenging, as a result of ridiculous cultural concerns that declared fashion to be a frivolous issue unworthy of “real men.”
Bryan admits that his fashion choices could cause people to double take, even though he advocates for guys to wear high heels. However, he compares the response to seeing someone with vivid green hair, which seems strange at first but eventually becomes just another feature of that individual.
“Leave a person with vivid green hair behind. Green hair is not typical. You glance up and notice someone, and your brain immediately identifies them as having green hair. You may find that strange or intriguing, but you quickly move on to your previous task without giving it any more attention. I think people react the same way when they see me wearing heels and a skirt.
Bryan finds it easy to find heels and skirts that fit. He has a lot of alternatives because he has size 8.5 feet and a size 8 skirt. He advises men who want to wear heels to start low and work their way up to a comfortable level.
What are your thoughts on Mark Bryan’s wardrobe selections? Would a man you know try wearing high heels? Talk about this with your loved ones and friends and let’s start a dialogue!
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