One of the last surviving stars of classic Hollywood has passed away: Mitzi Gaynor, the vibrant actress, singer and dancer who starred in South Pacific and other golden age musicals, has died at 93.
Gaynor’s managers managers Rene Reyes and Shane Rosamonda confirmed the news to AP, saying that the actress died of natural causes in Los Angeles.
“As we celebrate her legacy, we offer our thanks to her friends and fans and the countless audiences she entertained throughout her long life,” they said in a statement.
“Your love, support and appreciation meant so very much to her and was a sustaining gift in her life.”
Born September 4, 1931 in Chicago, Gaynor began singing and dancing from a young age and signed a contract with Twentieth Century Fox at 17. After making her debut in 1950’s My Blue Heaven, she quickly rose to become a star.
One of classic Hollywood’s biggest “triple threats,” Gaynor’s singing, dancing and acting talents, combined with her energy and charm, made her a big draw in many hit musical films of the era, and she co-starred with some of the biggest movie stars. Her memorable films include There’s No Business Like Show Business, Anything Goes, Bloodhounds of Broadway and Les Girls.
But Gaynor is best known for starring in the 1958 film South Pacific, the big-screen adaptation of the beloved Rodgers and Hammerstein musical.
In the lead role of Nellie Forbush, Gaynor performed classic numbers like “I’m Gonna Wash That Man Right Outa My Hair,” “A Cockeyed Optimist” and “A Wonderful Guy.” She received a Golden Globe nomination for her performance.
Gaynor made her last film appearance in 1963, but she reinvented herself as a live performer, to great success. Throughout the ’60s and ’70s, her act was a major draw in Las Vegas, and she had a series of lavishly produced television specials. She continued performing into her senior years.
Rest in peace to Mitzi Gaynor, one of the last surviving stars of golden age Hollywood who will always be remembered for her unforgettable performances in musicals like South Pacific.
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Brother Wants to Adopt His Little Sister after Dad’s Death, Finds Out His Wife Is against It
A woman refused to take her husband’s younger sister in after her father’s death because the couple had decided not to have children together. The husband felt conflicted, as he wanted to care for his sister, but his wife disagreed.
The husband, referred to as the original poster (OP), shared on Reddit that after his father passed away, leaving his sister with no one to care for her, he planned to do anything for her. However, his wife did not share the same sentiment.
The couple had been married for two years, and the OP’s sister, who was much younger, saw him as more of a father figure than an older brother. The little sister was eleven when their father passed away.
The dilemma arose because the OP and his wife had not welcomed any children and had no plans to in the future. Despite the tragic loss, the couple did not want children, which became a source of tension.
The OP’s sister had two options for guardianship – the OP or their uncle (their father’s brother). They asked the sister to choose, and she opted to stay with the OP.
However, the wife objected, stating that taking in the sister would mean having a child, and since the uncle could adopt her, they shouldn’t have to.
The OP, prioritizing his sister’s well-being, insisted on taking her in, leading to conflict with his wife. After a heated exchange, the OP told his wife that he would let his sister stay with them, even if it meant divorce. They did not talk for a while.
In an update, the OP mentioned that he and his wife decided to go their separate ways after discussing the situation again.
The wife claimed he chose his sister over her, and the OP affirmed that his sister was his priority. Many people supported the OP’s decision, commending him for prioritizing his sister’s needs.
Some criticized the wife for not being more compassionate, while others empathized with her perspective, acknowledging the challenges of caring for a child dealing with trauma.
The OP and his wife ultimately parted ways, with the OP embracing the role of a single father-figure for his sister.
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