15 Famous People of the Past Whose Depictions Prove That Photoshop Existed, Even in the Nineteenth Century

Photo editing programs have long been a part of our lives, so you can rarely see a photo that hasn’t been retouched. However, it’s wrong to think that Photoshop belongs only to the modern world. People have been improving the looks of their portraits for centuries. That means there were specialists in photo retouching that date all the way back to the nineteenth century. Even painters have worked hard to make models look more beautiful than they really were.

At Bright Side, we searched the archives and found photos of royalty from the nineteenth century and the beginning of the twentieth century, and we compared them to their portrait paintings. At the end of the article, we’ll show you what Vincent van Gogh really looked like.

Isabella II of Spain (1830 — 1904)

Mary of Teck, the spouse of George V (1867 — 1953)

Elizabeth Bowes-Lyon, the mother of Queen Elizabeth II (1900 — 2002)

Princess Helena of the United Kingdom (1846 — 1923)

Victoria, Princess Royal, German Empress (1840 — 1901)

Charlotte of Belgium (1840 — 1927)

Sophie of Württemberg, Queen of the Netherlands (1818 — 1877)

Queen Victoria (1819 — 1901)

Maria Christina of Austria, Queen-consort of Spain (1858 — 1929)

Maria Luisa of Bourbon-Parma, Princess-consort of Bulgaria (1870 — 1899)

Grand Duchess Elena Vladimirovna of Russia (1882 — 1957)

Princess Beatrice of the United Kingdom, Queen Victoria’s fifth daughter (1857 — 1944)

Alexandra Feodorovna, the spouse of Nicholas II of Russia (1872 — 1918)

Princess Alice of Battenberg, the mother-in-law of Queen Elizabeth II (1885 — 1969)

Alexandra of Denmark, the spouse of Edward VII (1844 — 1925)

onus: Vincent van Gogh (1853 — 1890)

What do you think about Photoshop? Do you use it often? Tell us in the comments below.

Simon Cowell started crying! The boy sang such a song that Simon couldn’t speak. He went up to the stage to kiss the boy

In a remarkable turn of events on the renowned talent show stage, Simon Cowell, known for his discerning and often stoic demeanor, found himself visibly moved to tears by a young singer’s heartfelt performance. The emotional impact of the boy’s song was so profound that it left Cowell speechless, a rare occurrence for the typically outspoken judge. As the boy’s melodious voice filled the room, weaving a tapestry of emotions through his chosen song, it was evident that something extraordinary was unfolding. Each note seemed to resonate with an authenticity and depth that transcended mere performance, touching the hearts of everyone present, including Cowell himself.

Unable to contain his emotions, Cowell rose from his seat and made his way to the stage, drawn by the sheer rawness and vulnerability of the boy’s performance. And then, in a moment that stunned the audience and contestants alike, Cowell approached the young singer and embraced him, a gesture of appreciation and admiration for the profound impact of his talent.

In that fleeting moment, barriers were broken, and a powerful connection was forged between judge and contestant, transcending the confines of the competition. It was a reminder that music has the unparalleled ability to move us, to unite us, and to touch the deepest recesses of our souls.

As Cowell wiped away tears from his eyes, his actions spoke volumes, conveying a message of profound respect and recognition for the young singer’s extraordinary gift. And in the midst of the applause and cheers that followed, it became clear that this was not just a performance, but a moment of pure, unadulterated magic that would be etched in the memories of all who bore witness to it.

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