Pretty Woman is one of those movies I can watch over and over — it never gets old or boring.
But considering how many times I’ve seen it, it’s surprising that I’ve never noticed these bloopers and mistakes that tell a different story about the film.
Disney changed everything
*Pretty Woman* became a romantic comedy that captured millions and launched Richard Gere and Julia Roberts to fame.
But that’s not how it was originally meant to be. The first screenplay was titled *3,000*, written by then-struggling screenwriter J.F. Lawton. The early draft dealt with much darker themes about social inequality and corporate greed.
However, everything changed when Disney took over. The company chose to downplay the themes of class and sex work in Los Angeles. Instead, Disney gave it a big budget and turned it more into a romantic comedy.
Al Pacino turned down the lead role
For me, it’s hard to imagine anyone but Richard Gere as Edward Lewis, the wealthy businessman from New York who hires Vivian (Julia Roberts) to be his escort for a week.
The casting process for *Pretty Woman* took longer than expected, with Al Pacino initially in the running for the role of Lewis. The famous actor even took part in a casting reading with Julia Roberts but ultimately decided to pass on the part.
Although he liked the script, Pacino never explained why he turned it down. Looking back, he has shown respect for Roberts, who was a relatively unknown actress at the time.
“I mean, you could tell at the reading that this was going to be good, that it would be a hit,” Pacino said.
He also mentioned: “And this girl was amazing. I asked Gary, ‘Where did you find this girl?’” (Gary being Gary Marshall, the film’s director). Pacino’s instincts were right, as Roberts’s outstanding performance would shape her career and the film’s legacy.
The croissant becomes a pancake
In the scene where Richard Gere’s character orders breakfast in the room, there’s a funny little detail you might not have noticed. It starts with Vivian enjoying a croissant while talking to Edward.
But then, in an instant, the croissant magically turns into a pancake.
How did that happen? According to director Garry Marshall, he liked Julia Roberts’ performance in the later takes, where she was eating a pancake instead of the croissant, so they decided to use that footage.
However, this caused a continuity issue. In the first shot with the pancake, Vivian takes a second bite, but in the next shot, the pancake only has one bite missing, and the bite marks are clearly different.
It’s clearly not the same pancake!
Truth behind the iconic dress
The careful attention to costume design might go unnoticed by most moviegoers. However, whether you notice fashion or not, it’s hard to miss the iconic red dress that Julia Roberts’ character wears in the film.
The red dress represents Vivian’s transformation and empowerment during a key scene in the movie when Roberts’ character joins Edward Lewis for a night at the opera.
Vogue described the dress as “eye-catching, incredibly sexy without losing any elegance.” The genius behind that stunning dress? The award-winning costume designer Marilyn Vance.
She created six fabulous outfits for Julia Roberts’ character, Vivian Ward, and also designed Richard Gere’s stylish looks.
For example, the charming brown-and-white polka dot dress Roberts wore to the horse race was made from old silk found in a small antique fabric shop in Los Angeles — talk about recycling in style! And those chic shoes? They were by Chanel.
Richard Gere’s tie
As for Gere’s wardrobe, it was a masterclass in color coordination, featuring brown, navy, and blue-gray suits, all designed by Vance.
Now, about that famous tie that Roberts takes from a store employee? According to Vance, it was “nothing special” and definitely not a designer piece.
She bought it in a Los Angeles shop for $48.
The tie appears several times in the film, and if you watch closely, you might notice that it mysteriously changes knots from time to time.
During the polo match, Edward wears a straight-collar shirt with the tie that Vivian gave him, knotted in a half-Windsor. But in a later scene, sharp-eyed viewers can see a subtle change — Edward’s collar has turned into a spread style, and the tie is now in a full-Windsor knot.
‘Obscene’ shopping spree
When Richard Gere shows Julia Roberts’ character the glamorous world of the rich, he takes her on a wild shopping spree down Rodeo Drive in Beverly Hills.
That afternoon shopping trip? It would have cost Gere’s character at least $30,000, according to designer Marilyn Vance.
Talk about a shopping spree on steroids! It’s like they were shopping with Monopoly money — no wonder Vivian was in a daze.
The ruby-and-diamond necklace was real
The jewelry Julia Roberts wore with her stunning red ball gown — a heart-shaped necklace made of rubies and diamonds — was valued at an incredible quarter million dollars. Yes, you heard that right.
According to movie trivia sites, this ruby-and-diamond masterpiece was the real deal. In fact, while filming, an armed security guard from the jewelry store responsible for this extravagant necklace stood watch behind the director.
Jewelry box scene was a practical joke
The scene where Richard Gere gives Julia Roberts the expensive necklace is not only one of the most romantic and iconic moments in movie history, but it also has a funny backstory.
Originally, it was meant as a playful prank for the film’s gag reel.
As you might remember, the jewelry box snaps shut on Julia Roberts’ fingers, causing one of the most genuine and charming laughs ever caught on film.
The real story behind the scene came from director Garry Marshall, who explained why he and Gere decided to play this trick on the young actress.
According to Marshall, Roberts, who was just 23 at the time, would sometimes show up on set a little sleepy after a late night out.
“I said, ‘Richard, you gotta wake her up a little, so when she reaches for the box, slam it.’ It was a soft box. I would never hurt her,” Marshall explained.
It wasn’t until the final stages of editing that they decided to keep the scene in the movie. “We put it in… and it became like the trademark of the movie,” Marshall said.
And just like that, an unscripted joke turned into cinematic magic.
Edward’s disappearing shoes
As mentioned earlier, there are some mistakes in *Pretty Woman* that aren’t easy to spot on the first viewing, but some keen viewers have noticed them.
For instance, when they leave the opera and head to the park, Vivian takes off Edward’s shoes. However, as he begins to lie down, the shoes magically reappear.
Money in the boot
Speaking of things on (or in) your feet, there’s a little mystery involving Vivian’s boots that you might have missed.
When Edward gives her $100 in the penthouse, she slips the cash right into her boot for safekeeping. But later, after room service arrives with champagne and she takes off her boots, the money has mysteriously disappeared.
Did the cash vanish into thin air, or is Vivian just really good at hiding things? Maybe those boots had a secret compartment, or perhaps the $100 simply didn’t want to stick around for the rest of the film…
Four colored condoms
When Vivian offers Edward a selection of colorful condoms, it seems they have a mind of their own.
Vivian starts with four neatly arranged options (not counting that fancy gold circle one). But in the next shot, the order has magically changed.
Richard Gere didn’t like his character
Richard Gere has certainly gained from the success of *Pretty Woman*—both in his career and his bank account. But he hasn’t always been fully positive about the film, especially regarding his character, Edward. At a film festival in Venice, Gere described Edward as “criminally underwritten.” He added, “Basically, he’s just a suit and a good haircut.”
One scene in particular seemed to bother Gere, where Edward plays the piano while Vivian moves closer. Reflecting on it, Gere sarcastically said, “I mean, no chemistry. This actor and this actress obviously had no chemistry between them… I haven’t seen that in a long time. That’s a sexy scene.”
Director Garry Marshall came up with the idea for the scene after asking Gere what he usually did late at night in a hotel. Gere remembered, “I said, ‘Well, I’m usually jet lagged, so I’m up all night. Usually, there’s a ballroom or a bar, and I’ll find a piano and play it.’” Marshall then suggested, “Well, let’s do something with that.”
So, the scene was mostly improvised, with Gere explaining: “He said, ‘Play something moody.’ I just started playing something moody that reflected this character’s interior life.”
Then, just as mysteriously, the original lineup of condoms snaps back in the third shot. It’s as if the condoms were having their own little dance routine behind the scenes.
More than just onscreen lovers
If you ask me, the chemistry between Julia Roberts and Gere in *Pretty Woman* was undeniable. But the sparks didn’t just fly when the cameras were rolling — they formed a close bond off-screen too.
In 2017, Gere shared that he still talks to Roberts “all the time,” and back in the day, they would chat “three or four times a day.”
You could say it was love at first sight, in a friendly sort of way.
Even in a fairytale romance, things don’t always go as planned. Maybe that’s what makes this movie so charming and keeps us watching it again and again, year after year.
Did we miss your favorite *Pretty Woman* blooper? Share it with us and keep the fun going!
Man Who Is Certain Late Ex-wife Gave Birth to Only One Kid Meets Their Daughter’s Carbon Copy – Story of the Day
Henry’s daughter, Sophie, met Sandra, who looked exactly like her, at school and spent time with her. They were convinced they were twin sisters. Henry was shocked when he met Sandra and her mother and decided to find out what had happened.
Henry moved from Texas to Los Angeles when his daughter, Sophie, turned seven years old, and she was about to start second grade. “Ok, here we are. Your new school, Sophie. Are you excited?” he asked his daughter at the drop-off.
“I think so…,” Sophie responded, twirling her fingers around her skirt in nervousness. “What if no one likes me?”
For illustration purposes only. | Source: Pexels
“They will. You just have to be nice to everyone, and if someone is mean to you, you go the other way. No starting fights, ok?” Henry added and kissed her forehead.
Sophie waved goodbye and entered school. She located her classroom immediately, and everyone else was already inside. But all the kids’ eyes widened, and a few even gasped when they saw her. She stopped right at the door and looked around in confusion.
Her new classmates started turning their heads back and forth between her and another girl sitting at the back. She tried to get a peak and spotted a blonde head. Suddenly, one boy yelled, “It’s Sandra’s clone!”
That’s when Sophie saw the girl at the back of the classroom, and she gasped at the sight. The girl looked just like her! Sandra stood up and stared at the new girl with her mouth gaping open. “Wow! We look like twins!” she exclaimed and smiled widely.
Sophie immediately felt at ease and grinned at the girl too. “Yeah. But why? I don’t have any sisters,” she responded.
“Me neither! It’s only my mom and me,” Sandra said and jumped towards Sophie, holding her hand. “Come sit with me.”
They spent a few minutes talking, and other kids approached them too. Then the teacher, Miss Carr, came in. “I believe we have a new student today, Sophie Douglas. Come say hello,” their teacher said and suddenly gasped a small, “Oh.”
“Miss Carr, she’s just like Sandra!” one kid said as Sophie made her way to the front of the classroom.
For illustration purposes only. | Source: Pexels
“Hello, my name is Sophie. I love books and going to the beach with my dad. We moved here from Texas, and I’m so excited to make new friends,” the girl said and smiled at everyone. Miss Carr clapped as the rest of the class followed.
“That’s great, Sophie. And it looks like you have a twin in our class. That’s so cool! You can go sit down now. Ok, today we’re going to learn about frogs…” Miss Carr started her lesson immediately.
Sophie and Sandra played throughout the day with all of Sandra’s friends. They bonded faster than anyone could’ve imagined. When school ended, Sophie told her dad everything about Sandra and how they looked the same.
After hearing all about her new friend all week, Henry was curious to see her and decided to call Sandra’s mom to talk about things. They arranged a playdate and decided to meet up at McDonald’s a few days after Sophie’s first day at her new school. When Sandra and her mother, Wendy, walked in, Henry’s jaw went slack. He couldn’t believe her daughter had not been exaggerating.
The woman also gasped after seeing Sophie. “Oh my God. Hi! You must be Sophie. Sandra has been talking to me about you all this week. You really do look like twins!” Wendy exclaimed with a big smile. The girls went to the playground, and the adults could finally speak.
“Hello, I’m Henry. It’s nice to meet you,” Henry said, shaking Wendy’s hand. They sat down at one of the booths and talked some more.
She repeated the sentiment. “Wow, I just can’t believe it. I’ve read of counterparts, but this has to be something else,” Wendy commented as they watched the girls playing.
For illustration purposes only. | Source: Pexels
“What do you mean?”
“Well, Sandra doesn’t know this yet, but I adopted her. Is Sophie yours biologically?”
“Yes. I mean, my ex-wife, Irene, discovered she was pregnant after we separated and had her. We co-parented, but she died a year ago, and so now, I have full custody. I was worried for Sophie, you know,” Henry blabbered. “She just lost her mother, and I had to move here for work. It’s too much change. But Sandra has been a godsend. Sophie has been smiling all week and talking about everything they have in common. I can’t thank your daughter enough.”
“Where did you move from?”
“Texas. We lived in Dallas,” Henry replied.
“Hmmm…,” Wendy hummed and placed her chin on her hand.
“What?” Henry wondered, frowning at the woman.
“I’m reluctant to say this. But I believe Sandra was born in Texas too,” Wendy revealed, wetting her lips with her tongue in hesitancy. “I’ll have to recheck her birth certificate. But is there any chance your late ex-wife had twins?”
For illustration purposes only. | Source: Pexels
“I don’t… I wasn’t there with her because of business. But no. It can’t be. I returned a week after she gave birth. She had already left the hospital, and I met Sophie in her home. So, there’s no way this could happen,” Henry replied, his eyes blinking fast, trying to think.
“Were you and her in a good place at the time?”
“What do you mean?”
“Well, if she felt like you wouldn’t be around, maybe she thought having two kids was too much,” Wendy suggested as carefully as she could.
“So, you’re saying she might have given one kid up and kept the other?” Henry asked, still not believing that Irene would’ve given one of their children up for adoption. “We were not good together, and that’s why we broke up. But this is just… ugh… I don’t know what else to say.”
“Is there any way we could find out?” Wendy wondered once again.
“I guess I could call the hospital, and we could check things…,” Henry mumbled, still in shock and running his fingers through his hair. Just then, the girls came back and said they were hungry, so this conversation would have to continue another day.
For illustration purposes only. | Source: Pexels
A few days later, he took Sophie to stay at Wendy’s house and traveled back to Texas. He talked to hospital staff and asked around as much as possible. Finally, one kind nurse took pity on him and discovered Irene had given birth to two babies.
Unfortunately, Henry would never know why she made the tough decision to give one baby up, but he suspected it was his fault.
I left her alone to give birth, and I wasn’t there for most of her pregnancy. This is my doing. She probably knew she was having twins and didn’t tell me.
But there was nothing he could do about the past now. He could only go forward and try to make amends. When he returned, he and Wendy got a DNA test for Sandra, confirming their suspicions. But Henry made it clear that Wendy was the girl’s mother. He would never try to separate them.
The adults sat down with the girls and told them everything as best they could, which meant explaining to Sandra that she was adopted. But the twins cheered in delight and hugged each other, chanting, “We’re sisters! We’re sisters!”
For illustration purposes only. | Source: Pexels
Henry and Wendy could only laugh at them, glad that they were so happy. They had to navigate this tricky situation because Henry wanted to be a father to Sandra, but Wendy didn’t know how she would fit into Sophie’s life.
In the end, they decided to co-parent as if they both were their legal parents, and it turned out amazingly. The girls transitioned into this new normal better than they did, and it was perfect.
One night, Sophie said something that shocked Henry. “Dad, why don’t you marry Wendy? Then she could be my mom too.”
“Oh honey, that’s complicated. Wendy and I are just good friends,” he responded.
“I’ll never forget my mom. But I like her. I think she could be good for you too,” Sophie insisted.
Henry smiled. “We’ll see.”
But it was like his daughter predicted the future. Eventually, he and Wendy started dating. They got married when the girls turned 12, and they were both bridesmaids.
What can we learn from this story?
- You can’t change the past. Henry learned the hard way that you can’t change the past; only make up for your mistakes and look forward to the future.
- Some things happen for a reason. Henry and Sophie moved to Los Angeles, only to find Sandra and Wendy. It seems like more than just a coincidence.
Share this story with your friends. It might brighten their day and inspire them.
If you enjoyed this story, you might like this one about a bus driver who found a little girl on the side of the road.
This account is inspired by our reader’s story and written by a professional writer. Any resemblance to actual names or locations is purely coincidental. All images are for illustration purposes only. Share your story with us; maybe it will change someone’s life.
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